Back in May 6sqft reported on plans for the 15 new gallery spaces in the works next to the Zaha Hadid-designed condo at 520 West 28th Street along the High Line, with the Paul Kasmin Gallery to anchor the project, which will expand into a 5,000-square-foot space with a sculpture garden designed by Future Green on its roof. With the official opening of the new building and inaugural exhibitions of works by Walton Ford and Joel Shapiro come new photos of the gallery and of the sculpture garden being installed.
Photo byLiz Ligon via Mile Long Opera.
For five consecutive nights from October 3-7, 2018 “The Mile-Long Opera: a biography of 7 o’clock,” will bring together 1,000 singers from across New York for free performances on the High Line. The project is a collaboration between architects Diller Scofidio + Renfro and Pulitzer Prize-winning composer David Lang, with words and lyrics by acclaimed poets Anne Carson and Claudia Rankine. The free collective choral work shares personal stories, gathered through first-hand interviews with hundreds of New Yorkers about city life.
Photo by Luke Hayes
On Thursday, Friends of the High Line are hosting their “first-ever High Line Hat Party, a raucous, downtown party for the creative and bold.” What better to don for this party than a swooping, sinuous lined hat inspired by one of the most prominent High Line building’s iconic curves?
Zaha Hadid Architects (ZHA) director Patrik Schumacher designed the gorgeous, 3D printed, 520 West 28th-inspired hat for the party’s fashion show (h/t dezeen). Just as the building’s beautiful swirls of glass are intersected with dark steel bands, this hat replicates that aesthetic.
Rendering via Future Green
Related Companies announced last year plans to add 15 new gallery spaces around their Zaha Hadid-designed condo at 520 West 28th Street. One of the galleries tapped for the project, the Paul Kasmin Gallery, will serve as the anchor tenant and expand into a 5,000-square-foot space. In addition to boasting 22-foot ceilings and 28 skylights, the single-floor gallery will have a sculpture garden designed by Future Green on its roof. Because it sits alongside the High Line, “the garden serves as a verdant extension to the elevated park and showcases outdoor artworks in a rich seasonal tapestry,” according to the landscape architects.
Rare photos of the High Line being demolished in the 1960s tell the story of a changing West Village, Thu, October 26, 2017
Crane with wrecking ball mounted on the trestle. Photo by Peter H. Fritsch (1962). Photo courtesy of the Greenwich Village Society for Historic Preservation/Fritsch Family Collection.
Few structures have had a more far-reaching impact upon the West Village and Chelsea than the High Line. Its construction in 1934, then partial demolition in the early ’60s, and final preservation and conversion into a park a decade ago have profoundly shaped the way these neighborhoods have changed over the last 85 years. And while photos of its heyday and those of it today as an internationally recognized public space are plenty, few exist of those interim years. But GVSHP recently acquired some wonderful images of the High Line being demolished in 1962 at Perry Street, donated by the Fritsch Family who lived nearby at 141 Perry Street.
The Fritschs’ photos say a lot about how the High Line, and its demolition, changed the West Village. It’s apparent from the images just how much more industrial, and gritty the Far West Village was in those days. But it also shows how the demolition of the High Line left a huge gap in this unpretentious neighborhood, which housed both disappearing industry and a diverse and vital residential community.
Times Square is offering up some pretty cool art experiences this week including a late-night 3D movie and vintage telephone booths that have been repurposed to play stories from immigrants to our great city. The High Line is holding a live chess tournament where pieces are swapped out for visitors, and Chesterfield Gallery hosts a group of artists who have swapped paint for textiles. Photographs celebrating the “limitless beauty of blackness” opens at Brilliant Champions, and artist Andrea Fraser gives a free lunchtime talk at SVA. If you’re out in the Hamptons, take some art with your beach time at Market Art + Design, and finally, rumor has it that the Kosciuszko Bridge will finally be imploded.
It was all the way back in November 2015 that 6sqft got a first look at Bjarke Ingels‘ pair of asymmetric, twisting towers along the High Line at 76 Eleventh Avenue. At the beginning of this year, the design changed to a simpler silhouette with more space in between the 28- and 38-story buildings, and now NY Yimby has revealed yet another group of renderings that reveal even more revisions.
The fresh images reveal the glass crowns at the 300- and 400-foot tops, the retail podium and plaza fronting the High Line, and two amenity-filled podium bridges that will connect the towers (an idea perhaps borrowed from SHoP’s American Cooper Buildings).
In a city where hundreds of interesting happenings occur each week, it can be hard to pick and choose your way to a fulfilling life. Art Nerd‘s philosophy is a combination of observation, participation, education and of course a party to create the ultimate well-rounded week. Jump ahead for Art Nerd founder Lori Zimmer’s top picks for 6sqft readers!
Get outdoors this week: Stay late with a date peeping stars on the High Line; experience a car-free Manhattan during Citi Streets; go back in time at the Jazz Age Lawn Festival on Governors Island; or rent a free kayak and watch a movie from the water at Socrates Sculpture Park. If you need a break from all that sun, check out Ataraxia, an evening of multi sensory art, or head to Booth Gallery for a group show about shattering the Fourth Wall.
From multidisciplinary architectural firm Weston Baker Creative comes this vision of glass, grass and sass in the form of a mixed-use high-rise springing from the Rem Koolhaas parcel along Tenth Avenue and West 18th Street on banks of the High Line. As CityRealty reported, the mixed-use concept would include residences, an art gallery and ten levels of indoor farming terraces. The 12-story structure would rise from a grassy plaza, with the tower’s concrete base meeting the High Line walkway in a full-floor, glass-enclosed gallery that would sit at eye level with the park.
New York architect and longtime visionary Eytan Kaufman has drawn up a conceptual plan to connect the final leg of the High Line to a new island/pier in the Hudson River. Currently, the High Line gets tantalizingly close to the waterfront in its final spur around Hudson Yards, but then swerves inland towards an anticlimactic end at the Jacob Javits Center. Kaufman’s scheme called Hub on the Hudson would build a pedestrian bridge over the West Side Highway, shuttling people from the elevated park to a sprawling, circular-shaped cultural and recreational center. It’s quite similar to Barry Diller’s proposed Pier 55 floating park, which is planned for a Hudson River site slightly farther south in the Meatpacking District.
Extending more than 700 feet into the river, and spanning nearly nine acres in size, the pie-in-the-Hudson plan would build five interconnected pyramid-shaped buildings, comprised of an art center, restaurants, and publicly accessible open spaces. A circular elevated promenade would encircle the island, which Kaufman says would contrast to the linear procession of the High Line. At ground level there will be a central reflecting pool with a promenade leading out to a marina. The pentagonal, pyramidal and circular themes expressed in the plan make its spiritual intentions quite clear: To sail the High Line’s tourists back home.