Closings commenced at the late Zaha Hadid‘s futurist 520 West 28th Street at the end of June, coming in above their original asking prices, and over the summer the curvaceous condo welcomed its first residences. According to a press release from developer Related, now that move-ins are underway, the architects have revealed photos of the fully amenitized interiors, which includes one of the world’s first private IMAX theaters, a 75-foot sky-lit lap pool, a High Line-adjacent terrace and landscaped courtyard, and a fitness center complete with a 24-hour juice bar and plunge pool.
All posts by Dana Schulz
Image via Wiki Commons
Brunch is inarguably one of New Yorkers’ favorite pastimes, and if there’s one dish that represents the lazy, and perhaps boozy, Sunday afternoon meal it’s Eggs Benedict — poached eggs and Canadian bacon on an English muffin, topped with hollandaise sauce. Which is why it’s not surprising to learn that the egg creation originated right in our fine city. There is however, a bit of controversy over just who gets the credit for inventing it. Was it the Wall Street bigwig who was looking for a hangover cure at the Waldorf Hotel? Or was it Charles Ranhofer, the legendary Delmonico’s chef who published a recipe for it in his cookbook “The Epicurean?”
The childhood homes of Jacqueline Kennedy Onassis are quickly being snatched up. Just three months after her one-time Upper East Side residence sold for $25 million, the equally impressive Hamptons estate where she summered has gone into contract, reports the Post. The 100-year-old, Arts and Crafts-style mansion is known as Lasata (a Native American word for “place of peace”) and is currently owned by fashion designer and former Coach executive Reed Krakoff. He bought it for $20 million back in 2007 and first listed the 7-acre property for $40 million a year ago, then reducing the price to $30 million.
Construction kicks off on Trinity Church’s Pelli Clarke Pelli-designed community center and office tower, Wed, October 18, 2017
One year ago, Trinity Church Wall Street revealed plans for a $300 million mixed-use tower designed by Pelli Clarke Pelli that would link to the historic Neo-Gothic church by a footbridge over Trinity Place. Earlier plans for luxury condos were squashed by the community, so Trinity decided instead to build an office tower and community space that will “allow the church to continue to shape the area and advocate for the community in the future,” as the Rector, Rev. Dr. William Lupfer, explained. And it looks like the future is now; according to CityRealty, the Department of Buildings approved plans for the 26-story building and construction is underway.
6sqft’s new series “Where I Work” takes us into the studios, offices, and off-beat workspaces of New Yorkers across the city. In this installment, we’re touring the Industry City space of Evergreene Architectural Arts, one of the nation’s foremost restoration and conservation firms.
On Monday evening, the Historic Districts Council will present their 29th annual Landmarks Lion Award to Jeff Greene of EverGreene Architectural Arts, one of the nation’s foremost experts in specialty contracting for both traditional and new, innovative techniques for restoring and conserving murals, ornamental plaster, and decorative finishes. “Jeff has been pivotal in restoring some of New York City’s most beloved landmarks to their proper glory,” said HDC’s executive director Simeon Bankoff. And indeed, this is true; their commissions include the recent restoration of the New York Public Library’s Rose Reading Room, Brooklyn’s Loew’s Kings Theater, the Eldridge Street Synagogue, and the McKim, Mead and White-designed University Club, where the event will be held, and this only scratches the surface of their hundreds of projects throughout the country.
In anticipation of Jeff’s recognition, 6sqft was given a behind-the-scenes tour of EverGreene’s new office and studios in Industry City, where the firm’s master artisans were hard at work painting murals, casting plaster moldings, and researching the history of several upcoming projects. We also spoke with Jeff himself about what inspired him to get into the field (“I ate the crayons before marking the walls,” he says), how preservation has changed since he started the firm in 1978, and what some of his favorite projects have been.
Renderings courtesy Adjaye Associates
One of the reasons for Ghanaian British architect David Adjaye’s rise to international fame is his work on renowned museums, from Washington D.C.’s National Museum of African American History and Culture to Denver’s Museum of Contemporary Art to the recently released plans for the Studio Museum in Harlem. And he’ll now add to that list, again in NYC, but this time the project is a bit on the lighter side. The Architect’s Newspaper reveals Adjaye Associates‘ renderings for SPYSCAPE, a spy museum and interactive experience that will open at 250 West 55th Street in December. Spread over two floors in the office building, the exhibitions will be divided among individually designed pavilions, each one exploring one of the seven themes of spying. This format, according to the firm’s Associate Director Lucy Tilley, allowed them to “challenge the traditional museum typology with a design that straddles the physical and digital worlds.”
Conceptual rendering of the south entrance to the new Allison and Roberto Mignone Halls of Gems and Minerals, from the Arthur Ross Hall of Meteorites. Visitors will be greeted by 9- and 12-foot amethyst geodes. Courtesy of Ralph Appelbaum Associates.
The giant blue whale and equally massive dinos might get all the glory at the American Museum of Natural History, but a new acquisition is bringing another exhibit into the extra-large club. This morning, the institution unveiled a 12-foot-tall, 9,000+ pound amethyst geode from Uruguay (one of the largest in the world) that will anchor its all-new Halls of Gems and Minerals. Ralph Appelbaum Associates is handling the renovation of the 11,000-square-foot space, which is being designed in anticipation of AMNH’s upcoming $340 million expansion by starchitect Jeanne Gang. The Halls previously ended in a cul-de-sac but the new Halls will feature a “stunning Crystalline Pass” to connect to Studio Gang’s 235,000-square-foot Richard Gilder Center for Science, Education and Innovation.
The corner of Broadway and 55th Street in 1970
6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Edward Grazda shares photos from the “mean streets” of 1970s and ’80s NYC. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].
When photographer Edward Grazda moved to New York in the early ’70s, he was renting a loft on Bleecker Street for $250 a month during a time when the city was in a financial crisis, jobs were hard to come by, and places like the Bowery were facing a huge rise in homelessness. But it was also a time when a new generation of artists were beginning to move in. Instead of the tourist- and millionaire-filled streets we see today, 40 years ago they were teeming with energy. “I felt like there were many possibilities to be creative,” Ed says. And with that in mind, he began shooting candids and random street scenes between personal projects in Latin American and Afghanistan. This work abroad taught him “how to make oneself invisible and blend in on the street.”
Just a few years ago, Ed rediscovered these black-and-white photos and noticed how different things are now, from the physical buildings to the absence of people reading newspapers. He decided to compile them into a book “Mean Streets: NYC 1970-1985,” which was just released earlier this week and offers a rare look back “at that desolate era captured with the deliberate and elegant eye that propelled Grazda to further success.”
TodWhen the city first got a look inside the new Second Avenue Subway stations ahead of the line’s New Year’s Day 2017 opening, one of the shiniest, most colorful elements was the collection of newsstands. Ten months later, however, the kiosks still sit empty, decked out in the signature marketing of rainbow polka dots. According to the New York Times, the MTA says it’s selected an operator for the newsstands, and though they won’t reveal who, claim that they’ll open soon. But is the fact that Q train riders seem overwhelmingly unaware and unaffected by the lack of newsstands a sign that they’re not actually wanted or needed in a time when newspapers and magazines have been replaced by tablets and iPhones and candy and sodas with organic oatmeal and Juice Press?
Photos by Frank Oudeman/OTTO
MINI has been working for the past couple years to expand its purview from tiny cars to tiny homes. Their endeavor began with a micro-living concept to address a lack of attractive, affordable housing in urban settings, and they’ve now expanded on this idea with an even more compact and personal model. First revealed at last month’s London Design Week, the MINI Living Urban Cabin “fuses clever use of space with insights from local architects to create an area and structure suited for their city.” British architect Sam Jacob was inspired by London’s decline in libraries, but here in NYC, Greenwich Village-based firm Bureau V responded to larger global issues and based their design around New York’s history as an immigrant city.