Designed by Philip Johnson for the 1964-65 World’s Fair to embody the architectural essence of Space Age futurism, the New York State Pavilion has been battered by the ensuing decades to the point of becoming valued as an “historic ruin.” As 6sqft previously reported, plans to restore the site have been progressing slowly even with new funding from the city. Now, Curbed reports, the iconic site in Flushing, Queens, will be getting a $16.5 million grant from FEMA for Hurricane Sandy-related repairs.

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The stories behind some of New Canaan, Connecticut’s treasure trove of modernist homes have been less than uplifting. In addition to Philip Johnson’s famous Glass House, the wealthy enclave boasts dozens of homes by Johnson and his colleagues known as the Harvard Five. An ongoing battle simmers between some of the town’s wealthy residents who favor sprawling McMansions and a passionate contingent of modern architecture fans. At least 20 of the homes, built in the 1940s, ’50s and ’60s–have been torn down, usually to build larger houses on the property. One embattled example is a lesser-known Johnson house known as the Alice Ball House. The 1,700-square-foot home, built in 1953, has been referred to as a “livable version of the Glass House.” And it’s now for sale for $7.7 million–along with approved plans by the current owner, an architect who has envisioned a companion property on a much grander scale, including an indoor pool and a massive skylit underground garage.

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This morning the Landmarks Preservation Commission voted to designate the AT&T building at 550 Madison Avenue as an individual landmark. Designed by Philip Johnson and completed in 1984, the world’s first postmodern skyscraper originally served as the AT&T headquarters. A decade later, Sony moved in and it became known as the Sony Tower. Recently, a growing roster of preservationists and architects have been urging the LPC to landmark the building after plans surfaced showing significant changes to its architecture.

So what happens now?

Image: NYC Design Awards.

Designed by starchitect Philip Johnson for the 1964-65 World’s Fair to embody the architectural essence of Space Age futurism, the New York State Pavilion, has, in the ensuing decades, become what amNY called a “hulking 54-year-old relic of the World’s Fair,” though it has never lost its modernist cachet and has gained value as an historic ruin of sorts. Recently, talk of restoring the pavilion beyond its current inglorious purgatory slowly appears to be moving toward actual plans with funding attached. City officials and preservationists have secured $14 million for specific repairs and improvements to the pavilion.

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During a nearly two-hour public hearing on Tuesday, passionate preservationists, architects, and community groups testified in front of the Landmarks Preservation Commission in support of designating the postmodern skyscraper at 550 Madison Avenue as an individual landmark. Best known as the AT&T Building, the 37-story tower was designed by Philip Johnson, along with his partner John Burgee, and completed in 1984.

As postmodernism’s first skyscraper, 550 Madison has stood out for its pink-gray granite facade, arched entryway and Chippendale-inspired crown. A wide range of people on Tuesday voiced support for giving 550 Madison landmark designation, including architectural critic Paul Goldberger. In his testimony, Goldberger cited his own 1978 New York Times review of the building, before it was built, when he called the AT&T Building “a major monument” of postmodernism and “the most provocative and daring skyscraper to be proposed for New York since the Chrysler Building.”

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This morning the Landmarks Preservation Commission voted to calendar the postmodern skyscraper at 550 Madison Avenue, designed by Philip Johnson and completed in 1984. The world’s first skyscraper built in a postmodern style was originally known as the AT&T Building, as the tower served as the company headquarters. Sony moved in in the 1990s, giving it the nickname of the Sony Tower.

Last year, the building sold to the Olayan Group and Chelsfield for a whopping $1.4 billion. Their resulting renovation plan, led by Snøhetta, has elicited protest from preservationists who do not want to see changes to the building’s impressive arched entryway. Now that the tower’s calendared, the developers’ $300 million renovation will eventually come up for a landmarks vote by the LPC.

See renderings of Snøhetta’s proposal

Frank Lloyd Wright/TAA drawing of Key Project for Ellis Island. Credit: The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

Ellis Island, well known as the processing center for millions of American immigrants until 1954, has figured heavily in the nation’s history; once the center was closed and neither of its current owners, the states of New York and New Jersey, knew of an alternative for its re-use, the island was offered for sale. Among the bidders for the 27-acre site were a pair of young NBC executives whose idea included breathtaking plans conceived by none other than Frank Lloyd Wright. According to Metropolis, Wright’s idea supported the media execs’ vision for “an entirely new, complete, and independent prototype city of the future.”

So what happened?

Photo of the protest courtesy of Nathan Eddy

After Olayan America and Chelsfield revealed plans last week for a $300 million renovation of the building at 550 Madison Avenue, known as the AT&T Building, criticism quickly followed. Members of the architecture community, including New York architect Robert A.M. Stern, rallied together last Friday at the base of the Philip Johnson-designed skyscraper, to protest Snøhetta’s proposal to replace the building’s base with a scalloped glass front (h/t Dezeen). Protestors held signs that read “Hands off my Johnson,” “Save the Stone,” and “Save AT&T.” Plus, a petition is currently being circulated on Change.org in an attempt to preserve Johnson’s iconic AT&T Building by having the New York City Landmarks Preservation Commission officially designate it as a city landmark.

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Photo via Wikimedia Commons

The iconic New York State Pavilion in Flushing Meadows-Corona Park is set to undergo a $14.25 million renovation funded by the city. As first reported by the Queens Chronicle, repairs of the monument will begin next spring, which will include some structural conservation work and electrical and architectural improvements. The pavilion, which was originally designed for the 1964 World’s Fair by Philip Johnson and Lev Zetlin, has been ignored for the past few decades, largely in part because of the city’s failure to find the money for repairs.

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As any modern architecture aficionado knows, the Glass House is Philip Johnson‘s best-known residence. However, it’s not his first. That title goes to the Booth House, built in 1946 (three years prior to the New Canaan beauty) in rural Bedford, New York. Like the Glass House, it boasts Johnson’s iconic floor-to-ceiling glazing, location atop a grass podium, and internal organization around a central fireplace. But unlike the Glass House, now a historic house museum, the Booth House is not protected, and moreover, its title is in litigation which means it could very well face the wrecking ball. Therefore, Archpaper tells us that the long-time owners have listed the home for $1 million in hopes that a preservation-minded buyer will step up.

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