Photo by Timothy Schenck, courtesy of the High Line.
The High Line’s newest section, the Spur, opened to the public last week following a ribbon-cutting celebration on Tuesday. Elected officials, artists, advocates, supporters, community members, and architects involved in the project were on hand for a speaking program that welcomed visitors to the new space. The Spur–the last section of the original elevated rail to be converted into public space–extends east along West 30th Street and ends above 10th Avenue; it’s also home to the High Line Plinth, the first site on the High Line dedicated to a rotating series of contemporary art commissions. Simone Leigh’s “Brick House” is the first Plinth commission.
Photos and more, this way
Images by Julian Faulhaber; drawings courtesy of Buro Ole Scheeren
Dean & DeLuca has unveiled a new concept—separate from the renowned gourmet market—which seeks to slow down fast food consumption and highlight the artistry that goes into preparing food. STAGE, which opened yesterday at 29 Ninth Avenue in the Meatpacking District, was designed by the German architecture firm Büro Ole Scheeren. It transforms the typical buffet counter into a theatrical space that allows customers to interact with staff and watch their food being prepared.
Image by Max Guliani, courtesy of the Hudson River Park Trust
The Hudson River Park Trust has unanimously approved a proposal by James Corner Field Operations—the same firm that brought us the High Line and Brooklyn’s Domino Park—to design a 5.5-acre public park on the Gansevoort Peninsula, located at the western end of Little West 12th Street and the only remnant of 13th Avenue. It will be the largest single green space in the four-mile-long Hudson River Park. The design will incorporate recreational areas and provide direct waterfront access for the public with a beachfront on the southern edge that will double as a protective barrier to combat flooding and storm surge. The beach might be best for sunbathers, though, as swimming in Manhattan’s murky west side waters is unlikely to be viable.
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Rendering by Pier55 Inc/Heatherwick Studio
Gov. Andrew Cuomo’s State of the State speech Tuesday included a $23 million pledge to go toward the completion of Hudson River Park. That nearly-hidden line item in the state budget represents the governor’s mediation efforts in a billionaire-vs.-billionaire feud involving Barry Diller’s 2.7-acre park at Pier 55 on the water near West 14th street (often referred to as Diller Park), Crains reports.
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Jeanne Gang‘s 12-story office building on the High Line has earned itself the nickname Solar Carve tower for its gem-like glass facade that was “sculpted by the angles of the sun” in order to eliminate shadows. And now, eight months after topping out, the building’s signature glass curtain wall is complete, just in time to welcome tenants early this spring. In a press release announcing the milestone, Developers Aurora Capital Associates and William Gottlieb Real Estate said they believe the project, located at 40 Tenth Avenue between 13th and 14th Streets, will be “the office crown jewel of the Meatpacking District.”
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Photo by Matt Glac for Starbucks
Starbucks is opening a new cafe in Chelsea on Friday, but it won’t be anything like the stores that dot every block in Manhattan. Called the Starbucks Reserve Roastery, the store on 9th Avenue stretches across 23,00 square feet and three levels and promises to bring an “immersive coffee experience” for java lovers. In addition to having a working coffee roastery, the space features two coffee bars, cocktail bar, bakery, and a terrarium inspired by the Starbucks coffee farm in Costa Rica.
Take a look inside
Image by James Corner Field Operations and Diller Scofidio + Renfro, courtesy of the City of New York.
The Spur, the last section of the High Line, extending east along 30th Street and ending above 10th Avenue, is scheduled to open in 2019. Unlike other sections of the park which are more linear and perfect for strolling, this section will feature a large-scale plaza for public programming and art and areas for seating and gathering. Anchoring the new section will be the High Line Plinth. As Designboom reports, the Plinth will be one of the only sites in New York City with the purpose of featuring a rotating series of new contemporary public art commissions.
Renderings of the Plinth, this way
Photo by CityRealty
Back in July 6sqft reported construction progress at the enthusiastically on-again Pier 55 public park project on the Hudson River funded by billionaire businessman Barry Diller. The park broke ground in April, and some snaps courtesy of CityRealty revealed new concrete pylons arranged in various heights that will act as the wave-shaped floating park’s support structure. Now, the New York Times details further and more fascinating progress on the $250 million park and performing arts venue, including the installation of its stylistic anchor in the form of a system of concrete supports called pots, the underpinnings of Diller’s unconventional architectural vision. And CityRealty once again reveals photos of what’s happening in the Hudson just west of the Meatpacking District.
Take a look at what’s rising from the Hudson
In August, four months after topping out, Jeanne Gang’s High Line-adjacent tower at 40 Tenth Avenue had its geometric glass installed. Images released by Studio Gang showed the 10-story office building taking shape and showed off its unique glazing system on the lower levels. Now, Aurora Capital Associates and William Gottlieb Real Estate, the project’s developers, are offering new renderings of the building itself and its future office spaces for a new view of the “solar carve” that the building has been known for (h/t Curbed).
More new angles, this way
, Fri, September 14, 2018
© Brian Rose
6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Brian Rose shares his past and present Meatpacking streetscapes. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].
A native of Virginia’s Colonial Williamsburg, photographer Brian Rose moved to New York City in 1977 and captured some of the most fleeting, bankrupted moments of the Meatpacking District in one January of 1985. In 2013, he returned to the neighborhood – impossibly changed – and once again photographed it. He then presented both sets of photos in his 2014 book “Metamorphosis: Meatpacking District 1985 + 2013.” Read on for an interview with Rose on old-school NYC, 9/11, and the city’s unknowable future.
See the before-and-afters