PSA by Carrie Mae Weems; Photo by Maria Baranova
A public art campaign is lighting up Times Square in support of New York City’s healthcare and essential workers. As part of a joint effort by Times Square Arts, For Freedoms, and Poster House, “Messages for the City,” now in its second phase, features work from more than 30 artists and designers on digital public service announcements in New York, Boston, and Chicago.
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Photo by Jörg Angeli on Unsplash
To show support for New York City’s essential workers on the frontline of the coronavirus pandemic, a number of buildings turned blue Thursday night. Madison Square Garden, One World Trade Center’s spire, Beacon Theatre, Pier 17, Hudson Yards’ Vessel, and more join more than 100 landmarks across the country as part of the #LightItBlue campaign. The nationwide lighting will occur weekly every Thursday.
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The Times Square shuttle platform, Photo by Helvetica Fanatic on Wikimedia
At the platform of the Times Square-Grand Central shuttle, a train track is hidden in plain sight. At both ends of the two-station line, tracks are numbered 1, 3 and 4, with no Track 2 to be found. As the New York Times explained, Track 2 once ran in its appropriate spot, between Tracks 1 and 3, but was taken out of operation nearly 100 years ago. After an attempt to expand the original 1904 line turned to major confusion for commuters, transit officials covered Track 2 with wooden flooring to make it easier for New Yorkers to walk to the new tracks.
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Rendering courtesy of TSX Broadway
A mixed-use development project hopes to bring even more bright lights and theatrics to Times Square. A team of developers, led by L&L Holding Company, will provide the ultimate New Year’s Eve experience at its new luxury hotel, part of the plan to transform the historic Palace Theatre into TSX Broadway. New renderings of the $2.5 billion project, which involves raising the theater more than 30 feet and building a 669-room hotel above it, show off suites with perfect views of the Times Square ball drop, the neighborhood’s first outdoor stage, and immersive retail experiences.
Photo by Kohei Kanno on Flickr
Every year as the clock nears midnight on December 31, anticipation runs high as the world holds its breath waiting for the sparkling New Year’s Eve Ball to descend from its flagpole atop One Times Square. We all know that the countdown starts at 10, but there are a handful of other fun facts to muse over when it comes to the city’s most lauded tradition. From the wattage of the ball to the weight of trash produced to how long it takes to get it all cleaned up, see what we’ve rounded up, in numbers, ahead!
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The 2007 Times Square Ball during construction. Image courtesy of Focus Lighting.
When midnight hits this New Year’s Eve, the Times Square Ball will dazzle people just the same from five feet away or on their television. Making this magic happen is no easy feat, though. To learn a bit more about how the nearly 12,000-pound ball was created, we chatted with principal designer Christine Hope of Focus Lighting, the architectural lighting design firm who conceptualized the current ball more than 10 years ago. From engineering a new system to make all 2,688 Waterford Crystal triangles sparkle to dreaming up the magical light show that plays leading up to the ball drop, Focus Lighting shares the inside scoop on this world-famous tradition.
Photo by Ian Hardy for Countdown Entertainment
The new year has arrived in New York City…at least in numbers. Two seven-foot-tall numerals, the “2” and “0” in 2020, are currently on display in Times Square, offering the public a chance to snap a photo with the famous digits before they are placed on top of One Times Square. The 2020 signage sits below the crystal-filled New Year’s Eve ball and will light up at midnight on December 31, marking the start of a new decade.
, Mon, September 30, 2019
Rumors of War © Kehinde Wiley. Used by permission. Presented by Times Square Arts in partnership with the Virginia Museum of Fine Art and Sean Kelly, New York. Photographer: Kylie Corwin for Kehinde Wiley.
The artist widely known for his portrait of former President Barack Obama unveiled last week his first public sculpture. Nigerian-American visual artist Kehinde Wiley’s “Rumors of War“ will be on display in Times Square until December. Standing 27 feet high, the artwork features a young African American man dressed in ripped jeans and a hoodie sitting on a horse, a direct response to the controversial Confederate monuments found all over the United States.
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Image courtesy of the Times Square Alliance
Let’s face it: a lot of us are more than happy to say goodbye to 2018 and turn over a new leaf. If you’re ready for some cathartic collective destruction, use your lunch break on Friday to join others in Times Square for the 12th annual “Good Riddance Day” and say goodbye to the worst of this year. The event, hosted by the Times Square Alliance, is inspired by a tradition in some parts of Latin America in which New Year’s revelers stuff dolls with objects representing bad memories and burn them in order to make room for the new.
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Rendering via Sam Biroscak/ Design Pavilion 2018
New York City has 280 miles of scaffolding, totaling more than 7,700 sidewalk sheds in front of 7,752 buildings. Described as pervasive eyesores and sunlight-blockers, scaffolding has an unflattering reputation in the city. Artist Sam Biroscak is looking to change the public perception of these sidewalk sheds, by highlighting it as an “under-appreciated” urban element in his conceptual design. Dubbed Mossgrove, Biroscak’s project would create an architectural pavilion in Times Square made of two materials seen as nuisances: moss and scaffolding. The proposal calls for the installation be built during NYCxDESIGN, a nine-day event featuring interactive installations and talks. The theme of this year’s Design Pavilion will be “From This Day Forward” (h/t Untapped Cities).
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