, Fri, September 29, 2017
This summer, the 9/11 Tribute Museum opened in a brand-new space at 92 Greenwich Street in the Financial District. The 36,000-square-foot gallery became the second iteration of the museum which originally occupied the former Liberty Deli from 2006 until earlier this year. While many are more likely to be familiar with the 9/11 Memorial Museum just a few blocks up the street, the Tribute Museum differs in that rather than focusing on the implications of the tragedy, documenting the events as they unfolded and examining its lasting impact, it assumes a more inspired take, dedicating its exhibits and installations to the stories of the survivors, first responders, relatives of victims, and others with close connections to the tragedy who found hope in the terror and stepped up to help their fellow New Yorkers.
Ahead, Lee Skolnick, principal of LHSA+DP and lead architect of the 9/11 Tribute Museum, speaks to 6sqft about the design and programming of this important institution, and how he hopes its message will inspire visitors to do good in their communities during these uncertain times.
read 6sqft’s interview with Skolnick here
, Mon, September 25, 2017
Radio Row, looking east along Cortlandt Street towards Greenwich Street, by Berenice Abbott Image via NYPL.
Before the internet and before television, there was radio broadcasting. The advent of radio at the turn of the 20th century had major repercussions on the reporting of wars along with its impact on popular culture, so it’s not surprising that a business district emerged surrounding the sale and repair of radios in New York City. From 1921 to 1966, a roughly 13-block stretch going north-south from Barclay Street to Liberty Street, and east-west from Church Street to West Street, was a thriving small business stronghold known as Radio Row.
Read more about Radio Row here
Images st_nicholasshrine Instagram / WTC Progress Facebook
It’s been a long and arduous process rebuilding the St. Nicholas National Shrine, a Greek Orthodox Church that was destroyed on 9/11 when the second trade tower toppled on it. Only last year was the foundation poured, and only two weeks ago were the steel ribs of the structure’s defining dome installed. But despite construction moving forward at a glacial pace, officials yesterday celebrated a major milestone with a “topping out ceremony” at the church’s new site at Greenwich and Liberty streets. The touchstone event was notably marked by the addition of a temporary 6-foot-3-inch Justinian cross, reports the Times.
see more photos here
After stalling for years, the $243 million World Trade Center Performing Arts Center started to make headway in recent months, first with a decision to go with REX as the designers and then with a $75 million gift from Billionaire businessman and philanthropist Ronald O. Perelman (who is gaining naming rights). And finally, the official renderings have been revealed, and they showcase a nearly 90,000-square-foot, translucent veined marble cube that both stands out as an impressive piece of cultural architecture and co-exists with the other structures on the WTC complex such as the 9/11 Museum and transportation hub.
According to a press release from developer Silverstein Properties, “The Perelman Center is inspired by the Center’s mission to defy experiential expectations. Its design cues were taken from [an] aim to foster artistic risk, incubate original productions, provide unparalleled flexibility, and deliver the most technologically advanced and digitally connected spaces for creative performance.”
See all the renderings
Photo: Thomas E. Franklin
The American flag seen in the iconic photo of the firefighters at ground zero on 9/11, which mysteriously went missing only hours after it was raised, has been found and will be displayed in a museum forevermore.
Thomas E. Franklin, the photojournalist who took the photo for The Record newspaper, had heard a few years ago that the flag had gone missing but did not know what to make of the mystery. “I thought that was odd and unfortunate,” Franklin told Metro on Wednesday. He said he is glad for the people for whom it has special meaning that it’s was found.
READ THE FULL STORY AT METRO NEW YORK…
Image pointing to the site of the Performing Arts Center at the World Trade Center. Rendering by DBOX
Billionaire businessman and philanthropist Ronald O. Perelman has made a $75 million gift towards the Performing Arts Center at the World Trade Center (PACWTC) reports the New York Times. The donation will finally make one of the last unfinished projects at the site a reality, and the Center will therefore be named for Perelman. “I think that this is a project that must happen. It is more than just a pure artistic center to serve a community. It is that, but at the same time it’s much more than that,” he said.
This is not Perelman’s first time donating to the World Trade Center site. Under the Bloomberg administration he gave $5 million for the National September 11 Memorial and Museum and said then that he was interested in making the lead gift for a performing arts center at the site.
Find out more this way
The World Trade Center‘s Liberty Park, the new one-acre public park at 25 feet above ground level spanning Liberty Street between West and Greenwich Streets, opens today. NYYimby reports that the park is getting the last few finishing touches in preparation for its grand opening dedication ceremony. As part of the landscape design by Joseph E. Brown of architectural and engineering firm Aecom, a 300-foot-long “living wall” composed of 826 panels of varying plant types is a highlight of the new park, which also functions as a pleasant disguise for the entrance to the WTC’s security hub that sits beneath.
More of what you’ll find in the new park
Construction image via Port Authority
The city will cut the ribbon on another landscaped elevated this park this summer with the opening of the World Trade Center‘s Liberty Park—although no exact opening date has been pinned down, reports DNA Info. The park, which will measure just over an acre and rise 25 feet, is sited next to the Santiago Calatrava-designed St. Nicholas National Shrine (still under construction) and will provide an overhead view of the 9/11 Memorial and a leafy pocket of respite for FiDi workers, dwellers and tourists alike. But more practically, the park will give way to a pleasant pedestrian connection across West Street, on top of hiding the entrance to the WTC’s security hub that sits beneath.
See more here
Foster’s original design
Nearly one year ago it was revealed that starchitect Bjarke Ingels would be taking over the design of 2 World Trade Center from Norman Foster as developer Silverstein Properties was in talks with Fox and News Corp. to make the tower their new headquarters. However, plans fell through in January when the media companies opted to remain at their Midtown headquarters at 1211 and 1185 Sixth Avenue.
Now without a tenant and two different designs in hand, Chairman Larry Silverstein is said to be weighing both options. “[The top of] Two was a distinguishing feature of Norman Foster’s design,” Silverstein told The Post. “Opposed to what Bjarke Ingels proposed. We can go in either direction. Which way, we are not sure yet.” But he did add that they were leaning towards Ingels’ design in discussions being had with prospective anchor tenants, which include BlackRock and JPMorganChase.
Find out more here
Carter Uncut brings New York City’s latest development news under the critical eye of resident architecture critic Carter B. Horsley. This week Carter brings us his fourth installment of “Skyline Wars,” a series that examines the explosive and unprecedented supertall phenomenon that is transforming the city’s silhouette. In this post Carter looks at the evolution of the Lower Manhattan skyline.
Lower Manhattan at the start of the Great Depression was the world’s most famous and influential skyline when 70 Pine, 20 Exchange Place, 1 and 40 Wall Street, and the Woolworth and Singer buildings inspired the world with their romantic silhouettes in a relatively balanced reach for the sky centered around the tip of Lower Manhattan.
Midtown was not asleep at the switch and countered with the great Empire State, the spectacular Chrysler and 30 Rockefeller Plaza but they were scattered and could not topple the aggregate visual power and lure of Lower Manhattan and its proverbial “view from the 40th floor” as the hallowed precinct of corporate America until the end of World War II.
The convenience and elegance of Midtown, however, became increasingly irresistible to many.
More on the the history of Lower Manhattan and what’s in store