Photograph by Maria Baranova-Suzuki courtesy of Times Square Arts.
With the new ban on single-use plastic bags hitting New York on March 1, a conversation has been started–and in some cases, continued–about the effects of our consumption on future generations. As important and complex as the topic may be, award-winning Brooklyn-based artist, puppet designer, and director Robin Frohardt has found a way to shine a creative light on consumption, conveniences, and the impact of single-use plastics. Located in Times Square, “The Plastic Bag Store” is an immersive, site-specific public art installation and three-act puppet show, on view from March 18 to April 12 at 20 Times Square.
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Antony Gormley, “NEW YORK CLEARING,” 2020; Approximately 18km (11mi) of 25.4mm (1in) square section aluminum and steel spigots. Installation view, Brooklyn Bridge Park, Pier 3, New York City, 2020. Photograph by Christopher Burke. © the artist
Top British sculptor Antony Gormley’s “giant drawing in space” opened Wednesday at Brooklyn Bridge Park Pier 3 as part of an international public art project, Connect, BTS. The project is a collaboration between popular South Korean boy band BTS, who introduced the project’s New York City installation, and a select group of artists in cities around the globe. The installation, “New York Clearing” (2020), will be open to the public from February 5 to March 27, 2020.
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Fitzhugh Karol’s “Approach” sculpture, installed at the beginning of the bridge path in Rockland County; rendering courtesy of The New York State Thruway Authority
Eight local artists have been selected to install artworks along the Governor Mario M. Cuomo Bridge’s 3.6-mile bicycle/pedestrian path. The New York State Thruway Authority partnered with ArtsWestchester and the Arts Council of Rockland to commission the works, which include five sculptures, four bicycle racks, and one mural. They’ll be placed at both ends of the bridge, at the Rockland and Westchester Landings, and along the side path in South Nyack. All of the commissions are currently underway and will be installed in the Spring.
Photos by Ian Douglas
Times Square Arts debuted the 2020 Times Square Valentine Heart yesterday, a tradition that started in 2009. This year’s installation, Heart Squared, was selected by the Cooper Hewitt Smithsonian Design Museum and designed by MODU and Eric Forman Studio. The sculpture is composed of a 10-foot-tall cubic steel lattice structure that approximates the form of an anatomical heart and 125 mirrors that are suspended within and tilted at various angles to create a kaleidoscopic collage of the urban environment. The arrangement of the mirrors might seem random at first but they’re precisely calibrated to form an anamorphic projection—meaning that the mirror array creates a surprise image when viewed from a specific vantage point, which is marked on the ground with white paint.
Rendering courtesy of Murr Architekten
Arts organization FIGMENT, the Emerging New York Architects Committee (ENYA) of the American Institute of Architects New York Chapter (AIANY), and the Structural Engineers Association of New York (SEAoNY) have just announced the finalists in the 2020 City of Dreams Pavilion Design Competition. The competition is an annual program that invites designers to create a temporary architectural pavilion that is efficient and sustainable while considering the life cycle of the building materials used. This year’s pavilion will be in Lighthouse Park on Roosevelt Island.
See more of the winning entries
All photos courtesy of Wagstaff New York/The Howard Hughes Corportation
As 6sqft shared last week, The Garment District Alliance unveiled its latest public art installation, a collection of 12 oversized, illuminated seesaws titled “Impulse,” that emit various sounds as New Yorkers play on them. If you’re looking for even more giant interactive seesaws, you’re in luck: Wave-Field is now lighting up the lower Manhattan night. Now through the end of March, you’ll find the installation of illuminated musical seesaws at Seaport Square next to Pier 17.
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Rendering of Anish Kapoor sculpture at 56 Leonard St. © Anish Kapoor, 2017
Tribeca’s “Jenga Building,” officially known as 56 Leonard Street, welcomed residents over two years ago, but one piece of the tower is still missing–the mirrored, bean-shaped sculpture by Anish Kapoor planned for the sidewalk outside its entrance. The sculptor is best known in the U.S. for his 2005 Cloud Gate installation in Chicago’s Millenium Park, and his Tribeca piece, his first permanent work in New York City, will be a similar, smaller version of this. Back in March, we spotted a spray-painted installation guide for the sculpture outside 56 Leonard, but it’s taken until now for the official word that the install will begin in November.
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Alicja Kwade, ParaPivot. Image credit: The Metropolitan Museum of Art, Photograph by Hyla Skopitz.
New York City’s art scene blossoms anew in springtime, with fresh ways to look at classic museum collections, international art fairs, cutting-edge installations and everything in between. And new public works pop up in the city’s parks and gardens, making it possible to enjoy both the outdoors and the art. We’ve rounded up a list of must-see exhibits, fairs, and installations to get you started.
Check out our top spring picks
Rendering by Anish Kapoor.
Herzog & de Meuron’s striking “Jenga” condo tower at 56 Leonard Street in Tribeca is a conversation piece on its own, with its cantilevered rectangles of glass rising into the sky. The long-anticipated flourish that will anchor the skyscraper–artist Anish Kapoor’s reflective bean-shaped sculpture–is finally on the way, as evidenced by an intricate set of circles and arrows that just arrived on the building’s sidewalk. The spray-painted outline will inform installation of the sculpture, which resembles a similar public art icon in Chicago, where Kapoor’s “Cloud Gate” sculpture apparently attracts millions of tourists every year and has become an Instagram staple.
What’s taking so long, the anticipation is killing us
Siah Armajani: “Bridge Over Tree” 1970/2019; wood, steel and evergreen tree. Photo: Timothy Schenck.
Iranian-born, Minneapolis-based artist Siah Armajani’s installation “Bridge Over Tree” (1970) was unveiled Wednesday at Brooklyn Bridge Park on the Empire Fulton Ferry Lawn between the Manhattan and Brooklyn Bridges. The seminal work, which was first shown as a temporary sculpture at the Walker Art Center in Minneapolis in 1970, is comprised of a 91-foot-long walkway with open, trussed sides and a shingled roof. A set of stairs at the sculpture’s midpoint climb up and down over a small evergreen tree. This is the first re-staging of the installation in almost 50 years
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