Nestled in the quaint town of Coxsackie, New York is a residential garden oasis with crystal clear views of the Hudson River and magical green landscaping that could very well serve as the backdrop for a children’s fairytale book. The enchanting grounds of the River House were designed by Susan Wisniewski Landscape, who created a natural-looking setting to frame the environmentally friendly Hudson Valley home.
Waterfront views and innovative architecture: San Francisco? Manhattan? Miami? How about the Bronx?
Residents of many Throgs Neck neighborhoods have happily traded off expansive living spaces and large backyards for the spectacular views of the Eastchester Bay and the bridge whose name the community bears. Though spaces can be a bit compact along the water, a challenging lot size didn’t stop Resolution: 4 Architecture from creating a home whose beauty rivals that of its view.
Among the modest homes tucked neatly into small parcels along the waterfront, the Bronx Box stands out as a proud example of how infill housing is an innovative way to make the most of narrow lots in urban areas.
Shigeru Ban‘s star has risen, and his 2014 Pritzker Prize is attracting attention to all his designs, like the recently opened Cast Iron House. But did you know that one of his lesser known works lies just outside of New York City? If you’re looking for a reason to get out of town, and would like to see one of Ban’s homes up close, then all you have to do is take a drive to the Hamptons.
East Quogue, a town located on the far end of Long Island, is littered with beach houses thanks to its picturesque oceanfront location. It’s the perfect escape for New York City families to leave behind the hustle and bustle of Big Apple living and swap their tiny apartments for sprawling vacation homes. Because of its location on a barrier island, that doesn’t hold true for this dune retreat, which meant the team at Resolution: 4 Architecture has to be as efficient with space as possible.
As the Freedom Tower is being completed, New Yorkers are losing a once-in-a-lifetime photo opportunity: The chance to snap pictures of a landmark while it is still being built. It is incredible to imagine getting to see a half-built Empire State Building, or a mess of wires that will soon be the Manhattan Bridge, or an excavated hole in the ground where Rockefeller Center will soon be placed. With old photos, we can see what these buildings looked like before they were finished, and what New York looked like before its landmarks were in place.
A brand new building has popped up in Park Slope and it’s got quite an interesting facade. Located at 443 Bergen Street just off of Flatbush Ave, this sleek new addition to the neighborhood boasts 5 stories of living space, a 7KW solar array, reclaimed IPE wood from boardwalks, and triple glazed Passive House windows and doors. According to the building permits, work started in the Fall of last year, and by the looks of things, construction has just about wrapped up.
When you arrive 11 miles off the tip of Long Island at the Fishers Island House you’ll be instantly in awe of the Long Island Sound views, apple tree orchard, lush green landscaping, and colorful mix of flowers. You then might to start to wonder where the house is… until you realize you’ve been peering straight through its transparent glass frame the entire time.
Thomas Phifer & Partners designed the simple, 4,600-square-foot pavilion to delicately blend in to the surrounding landscape and create a seamless interior/exterior transition. At two points in the otherwise rectangular floorplan, the outdoor space penetrates inward — once in the entry way, which emerges as a shallow reflecting pool that disappears into the Sound, and again with a tranquil, mossy rock garden at the other end of the home.
There are skyscrapers going up left and right all over Manhattan, and in the race to build the loftiest and the glassiest, big name developers are seeking out even bigger name architects to brand their supertalls with iconic designs. As part of their ongoing Palaces for the People: Guastavino and the Art of Structural Tile series, the Museum of the City of New York will be hosting what’s sure to be a riveting panel in which several of the world’s leading architects and engineers will be discussing how they approach the design and construction challenges that come with building 100 stories and up.
Norman Foster’s design for the New York Public Library (NYPL) may have been scrapped, but the library isn’t giving up on the opportunity to turn its space into an innovative learning hub. As the NYPL gears up for a new $300 million renovation plan, they’re turning to a very unlikely locale for their inspiration: The South.
The NYPL is using two high-tech libraries in Tennessee and North Carolina as models for their new spaces at the Schwarzman building and the highly trafficked Mid-Manhattan branch across the street. The renovation will be geared towards the needs of teachers, students and entrepreneurs, and will be designed to support collaborative pursuits within the library walls.
Have you ever seen an interesting building and wondered if it was old, new, or somewhere in between? If so, there’s a good chance you were looking at one of Morris Adjmi‘s creations. This is the brilliance of the architect–his buildings focus on the fundamentals of design, blending in with their historic surroundings, but still showcasing subtle, modern touches that make them unique.
While Adjmi’s contemporaries seem to be in a race to build the tallest, glassiest building in town, he has become the go-to architect for downtown developers thanks to his utilitarian- and industrial-influenced designs. After opening his own firm MA in 1997, Adjmi gained permanent notoriety with the Scholastic Building in SoHo, a 2001 project he collaborated on with Pritzker Prize winner Aldo Rossi. It was the first example of new construction in the SoHo Cast-Iron Historic District, and architecture Paul Goldberger said it was “a building that will teach generations of architects the proper way to respond to historic contexts.”