Photo © James and Karla Murray
When the New York City subway opened on October 27th, 1904, it was the magnificent City Hall station that served as the backdrop for the festivities, with its arched Guastavino-tiled ceiling and skylights. But by 1945, the newer, longer subway cars could no longer fit on the station’s curved tracks, so it was closed. Today, the New York City Transit Museum occasionally offers tours of the abandoned station, which is how photographers James and Karla Murray were able to capture these beautiful photos. Ahead, see more of the station and learn all about its history.
Renderings and photos by Madd Equities LLC, via LPC
In a public hearing on Tuesday, the Landmarks Preservation Commission reviewed and approved an application to open a Trader Joe’s in the city-owned space underneath the Queensboro Bridge on Manhattan’s Upper East Side. The cavernous space, known as Bridgemarket, is regarded for its 5,000-square-foot Guastavino-tiled arcade as well as its unique location. Former tenant Food Emporium moved out in 2015. The bridge and the space beneath it were designated a city landmark in 1974. The LPC applauded the proposal’s “sensitive approach” to the space.
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Photo by missvancamp on Flickr
Trader Joe’s footprint in New York City is growing again. The popular grocery chain will likely open a new store on the Upper East Side in a space beneath the Queensboro Bridge. Formerly occupied by Food Emporium, the space features a 5,000-square-foot Guastavino-tiled arcade and was landmarked by the city in 1974 as part of the bridge’s designation. Last month, Trader Joe’s opened a new location in the East Village, its 10th store in the city, with possible plans to move to a condo tower in Long Island City.
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Photo by missvancamp on Flickr
Guastavino tiles–a design technique for thin-tile structural vaulting brought to New York at the end of the 19th century by Spanish architect and builder Rafael Guastavino and his son Rafael Jr.–can be seen at 250 locations throughout the city. Most of these spots have grand public purposes, such as Grand Central, the Cathedral of St. John the Divine, or the Municipal Building. But one locale has gained famed for its very un-grand function as the home of a grocery store.
The Food Emporium underneath the Queensboro Bridge has occupied one half of the Guastavino-tiled arcade known as Bridgemarket since 1999. This Saturday at 5:00 p.m., though, it will close its doors for good, according to Bloomberg, which leaves the fate of the historic interior up in the air.
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The Manhattan Municipal Building toward the end of construction in 1913, via Shorpy
When we think of the city’s early skyscrapers, landmarks like the Woolworth Building and Flatiron Building usually come to mind. But there’s an equally fascinating and beautiful icon that often gets overlooked–the 1914 Manhattan Municipal Building. One of New York’s first skyscrapers, the 580-foot Beaux Arts masterpiece influenced civic construction throughout the country and served as the prototype for Chicago’s Wrigley Building and Cleveland’s Terminal Tower, among others.
A new video from Blueprint NYC (produced by the Office of NYCMedia) takes us into this historic structure, discussing everything from the reason for construction (after the 1898 consolidation of the five boroughs, there was a need for increased governmental office space) to interesting factoids (the building was designed from a rejected sketch of Grand Central Terminal Station) to the turn-of-the-century innovations that made this unique structure possible.
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Photo by John-Paul Palescandolo
In New York, many of the grand Beaux-Arts masterpieces — Grand Central Terminal, the Queensboro Bridge, the City Hall subway station, Columbia University, and the Cathedral of St. John the Divine — have one striking element in common: Guastavino tiles. Spanish architect and builder Rafael Guastavino and his son Rafael Jr. brought with them to New York at the end of the 19th century a Mediterranean design technique from the 14th century for thin-tile structural vaulting. The expertly engineered and architecturally beautiful vaults were lightweight, fireproof, load-bearing, cost-efficient, and able to span large interior areas.
Today there are over 250 Guastavino works in New York City alone, not to mention the 1,000 throughout the U.S. The Museum of the City of New York’s current exhibition, Palaces for the People: Guastavino and the Art of Structural Tile, explores Guastavinos’s spaces in New York and showcases “never-before-seen objects, artifacts, photographs, and documents.” We couldn’t help doing a little Guastavino exploration ourselves, and have put together some of our favorite tiled sites that you can actually visit.
See our picks right this way