Image by James Corner Field Operations and Diller Scofidio + Renfro, courtesy of the City of New York.
The Spur, the last section of the High Line, extending east along 30th Street and ending above 10th Avenue, is scheduled to open in 2019. Unlike other sections of the park which are more linear and perfect for strolling, this section will feature a large-scale plaza for public programming and art and areas for seating and gathering. Anchoring the new section will be the High Line Plinth. As Designboom reports, the Plinth will be one of the only sites in New York City with the purpose of featuring a rotating series of new contemporary public art commissions.
Renderings of the Plinth, this way
William Wegman stands with one of his newly unveiled murals © 6sqft
After four months of renovations, the 23rd Street F/M Subway reopened last week. In addition to platform repairs and tech upgrades, the station now features a series of 11 charming murals of artist William Wegman‘s infamous Weimaraners, Flo and Topper. Set against bright, colorful backgrounds, the dogs look out onto the platform as if they were waiting for the train themselves, echoing some of the emotions felt by straphangers and bringing a bit of humor and life to the subway.
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Image credit: State Street Global Advisors.
The four-foot bronze “Fearless Girl” statue was removed from her spot across from the iconic “Charging Bull” in Bowling Green Tuesday night, AMNew York reports, and is on her way to a more pedestrian friendly spot in front of the New York Stock Exchange. Since its appearance in 2017 a day before International Women’s Day, sending a message to Wall Street for the need of gender equality in the financial world, the diminuitive statue has become a major attraction, drawing millions of tourists and locals. State Street Global Advisors, the investment company that owns the statue, said she’d be installed in her new home by December 31.
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Andy Warhol in 1968, via Wiki Commons
The Whitney’s new Andy Warhol retrospective, “Andy Warhol – From A to B and Back Again,” is the first major presentation of the artist’s work in the United States since 1989. The show covers the museum’s entire fifth floor, as well as smaller galleries on the first and third floors. It traces Warhol’s career from his early days as a commercial illustrator, to his role as the world’s most iconic pop artist, and through his resurgence in the 1970s and ‘80s. If Warhol’s work is as famous as a can of Coca-Cola, so too is his relationship with New York City. High profile haunts like the Factory, Studio 54, and Max’s Kansas City are as closely associated with Warhol as any of his artwork. But Andy Warhol lived, worked, and played all over New York. Since Andy’s having his moment, give these 10 lesser-known Warhol haunts their 15 minutes.
These places pop!
Photo © 6sqft
The 86th Street B, C station reopened last week after five months of renovations and upgrades. The improved Central Park West station now features six colorful mosaic and ceramic murals translated from artist Joyce Kozloff’s “Parkside Portals” artwork, which depicts different perspectives of the neighborhood. The art shifts from aerial views of Central Park to close-ups of Beaux-Arts and Art Deco elements found on the iconic facades of surrounding buildings.
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Photo © Martha Cooper for Goldman Properties
French street artist JR and TIME magazine have paired up for a collaborative project, “The Gun Chronicles: A Story of America,” consisting of a special issue due out on November 5, as well as a video mural to be featured in exhibits throughout the country and an interactive web feature at Time.com. The topic–the larger-than-life relationship America has with guns–needs little explanation; last Friday the “The Gun Chronicles” was installed on the Houston Bowery Wall in Soho. The building-sized cover story image is comprised of portraits photographed by the artist.
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Photo via LMCC
When the Lower Manhattan Cultural Council (LMCC) was founded in 1973, it set out to bring the arts to Lower Manhattan, a neighborhood that already had an established reputation for being first and foremost a site of business, not pleasure. What the organization’s founder, Flory Barnett, could not have foreseen at the time of the LMCC’s founding is that over the coming four decades, Lower Manhattan would face more challenges than nearly any other New York City neighborhood.
From the attacks on 9/11 to the devastating fallout of the 2008 economic crisis to the occupation of Zuccotti Park in 2011, in recent years, Lower Manhattan has been at the epicenter of some of the city’s and nation’s most historic moments. Throughout these events, the LMCC has persisted and in many respects, played a pivotal role in helping the neighborhood transition into the vibrant and diverse neighborhood it is today: a place where people not only work but also live and spend their leisure time.
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Back in May 6sqft reported on plans for the 15 new gallery spaces in the works next to the Zaha Hadid-designed condo at 520 West 28th Street along the High Line, with the Paul Kasmin Gallery to anchor the project, which will expand into a 5,000-square-foot space with a sculpture garden designed by Future Green on its roof. With the official opening of the new building and inaugural exhibitions of works by Walton Ford and Joel Shapiro come new photos of the gallery and of the sculpture garden being installed.
More photos this way
As a media sponsor of Archtober–NYC’s annual month-long architecture and design festival of tours, lectures, films, and exhibitions–6sqft has teamed up with the Center for Architecture to explore some of their 70+ partner organizations.
For the last 111 years, the mission of the Japan Society has remained the same: to create a better understanding between the United States and Japan. While strengthening relations originally meant introducing Japanese art and culture to Americans, today in its second century, the nonprofit’s purpose, along with its programming, has expanded, with education and policy now a core part of its objective.
The headquarters of the Japan Society is located in Turtle Bay at 333 East 47th Street, purposely constructed just blocks from the United Nations. In addition to being known for its extensive curriculum, the architecture of the society’s building also stands out. Designed by architects Junzō Yoshimura and George G. Shimamoto, the building is the first designed by a Japanese citizen and the first of contemporary Japanese design in New York City. The structure, which first opened in 1971, combines a modern style with traditional materials of Japan. In 2011, the building was designated a city landmark, becoming one of the youngest buildings with this recognition. Ahead, learn about the Japan Society’s evolving century-long history, its groundbreaking architecture, and its newest exhibition opening this week.
Take a look inside the landmarked building
The MTA has reopened the 72nd Street B, C station on the Upper West Side after five months of extensive upgrades. In addition to the new digital signs and energy-efficient lighting, the station now features a ceramic mosaic designed by Yoko Ono. Titled “SKY,” the design includes six separate mosaics on platforms and mezzanines that show a blue sky with clouds, with hidden messages of hope written throughout. Yoko has lived in the Dakota, the famed co-op building above the subway station, since 1973. Strawberry Fields, the memorial dedicated to her late husband John Lennon in 1985, is located across the street.
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