VIDEO: Architect Robert A.M. Stern Talks 15 Central Park West and How It’s a “Background Building”

Posted On Mon, November 17, 2014 By

Posted On Mon, November 17, 2014 By In Starchitecture, Video

15 Central Park West is frequently in the news—whether it’s because a new celeb has moved in, or that it’s recorded yet another blockbuster sale. But standing far from the limelight is the building’s architect, Robert A.M. Stern, who, like his buildings, opts for the stately, subdued and classic over the winding and twisting standalones of his contemporaries. “We have a lot of silly buildings being built, in my opinion. The buildings should not look like Lady Gaga,” the architect says. In the latest installment of the Louisiana Channel Stern discusses what might be his most famous project, 15 CPW, and why he strives for buildings that complement, not dominate.

In the video Stern talks about how his upbringing in Brooklyn and the feeling of taking the train into the city with the skyline in view as it crossed the bridge—an experience that has defined his style in many ways. But more interestingly, the architect goes into detail about his approach to the design of 15 CPW—or the “Limestone Jesus” as many in the real estate industry call it. Though 15 CPW has brought incredible success and fortune to its developer and those who have bought homes inside, for Stern, 15 CPW was about an architectural idea, not a real estate opportunity. The goal of his design was simply create a “background building” able to fill in the wall of Central Park West.

“The language of the building picks up from the Art Deco of Central Park West, but the use of limestone connects it to some of the finest residential buildings, not to mention the Empire State Building,” says Stern. He goes on to talk about the materials and distribution of spaces and how they come together to define 15 CPW.

“Almost every building that is new has a built-in history,” he says. “We are architects that build on the shoulders of the past… I think it is much more exciting to enter into a dialogue with the past and also to take things from the past and restudy them—theme and variation. Architecture is made up of many languages in my view, and if we have a modern language—I’m not going to deny that one has evolved—but it doesn’t mean that the other languages can’t also continue to be spoken.”

[Via the Louisiana Channel]

Lead image via Architectural Digest

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Neighborhoods : Midtown

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