As any modern architecture aficionado knows, the Glass House is Philip Johnson‘s best-known residence. However, it’s not his first. That title goes to the Booth House, built in 1946 (three years prior to the New Canaan beauty) in rural Bedford, New York. Like the Glass House, it boasts Johnson’s iconic floor-to-ceiling glazing, location atop a grass podium, and internal organization around a central fireplace. But unlike the Glass House, now a historic house museum, the Booth House is not protected, and moreover, its title is in litigation which means it could very well face the wrecking ball. Therefore, Archpaper tells us that the long-time owners have listed the home for $1 million in hopes that a preservation-minded buyer will step up.
Screen cap via NYT
Just down the street from the now-closed modernist treasure trove and icon that was the Four Seasons in Manhattan’s east 50s is a lesser-known architectural treasure. Philip Johnson’s 1950 Rockefeller Guest House is one of a handful of private residences the architect designed for New York City clients. The house is a designated historic and architectural landmark, but a subtle one that’s easily missed on the quiet street–as the New York Times puts it, “the house doesn’t give up its secrets easily.” Once you spot the home’s brick-and-glass facade, though, it’s hard not to be enthralled.
Happy New Year! New year, new month, new #Midnightmoment film in Times Square. This month Pipilotti Rist flattens and squishes her face each night across the screens in conjunction with her solo show at the New Museum. SF’s Spoke Art also opens a new show curated at Supersonic at their LES outpost, and Japanese artist Ayakamay examines media perception at The Lodge Gallery. But if you’re looking for a throwback or something more low-key, hear from old school graffiti writers at Eric Firestone Gallery, or treat yourself to new and exciting film at the Museum of the Moving Image. Lastly, head to The City Reliquary to catch a screening about Philip Johnson’s iconic World’s Fair pavilion in Flushing Meadow, bring your ideas to The Center for Architecture, and then visit the Brooklyn Museum for free courtesy of Target.
The 21st century incarnation of the iconic Four Seasons restaurant set to open at 280 Park Avenue will bear no resemblance to the original, beyond the famous name and the sign that fronted the “Mad Men”-era power lunch spot in the Seagram Building, according to the restaurant’s co-owner, Julian Niccolini. The New York Post reports that the team behind the “new” Four Seasons–Niccolini and partner Alex von Bidder, the Bronfman family, landlord Steve Roth of Vornado and representatives of landlord SL Green Realty–approved the new restaurant’s design, by Brazilian architect Isay Weinfeld, last Friday.
In a city where hundreds of interesting happenings occur each week, it can be hard to pick and choose your way to a fulfilling life. Art Nerd‘s philosophy is a combination of observation, participation, education and of course a party to create the ultimate well-rounded week. Jump ahead for Art Nerd founder Lori Zimmer’s top picks for 6sqft readers!
Starting this weekend, a miniature Redwood forest grows in Brooklyn thanks to the Public Art Fund. Female artists take on the self portrait at the Untitled Space, while Salomon Art Gallery hosts a Beggars Banquet. Countless artists open their doors for Bushwick Open Studios, where you’re also welcome to channel your inner artist at Jacked Fashion Camp. The Queens Museum celebrates a book launch by Rebecca Solnit, and the City Reliquary highlights Philip Johnson’s Queens landmark. Finally, add to your art collection and stop by the Affordable Art Fair in Manhattan all weekend long.
The Wright auction house is gearing up for the July 26 auction of kitchen and dining room items from the iconic Four Seasons restaurant. As 6sqft previously reported, news that the restaurant would decamp from the building surfaced last summer, when Seagram Building owner Aby Rosen did not renew the lease for what has been seen as the quintessential Midtown “power lunch” spot for the last decades of the 20th century since it opened in 1959. The restaurant’s interiors feature custom designs by Pritzker Prize-winner Philip Johnson and furniture, tableware and other modernist treasures by the likes of by Seagram Building designer Mies Van der Rohe, Hans J. Wegner and others and custom-made Knoll furniture.
With an emotional forward by Vanity Fair editor Graydon Carter, the auction catalog offers a preview of items up for auction with estimates. Included will be banquettes designed for the space by Philip Johnson Associates, Eero Saarinen Tulip stools, chairs and tables from the bar of the Grill Room, pans, flatware and dishes created for the restaurant by Ada Louise and L. Garth Huxtable and more.
The Four Seasons: Photo via Le Travelist
News of the iconic restaurant’s impending demise surfaced last summer, as 6sqft previously reported, when Seagram Building owner Aby Rosen did not renew the lease for what has been seen as the quintessential Midtown “power lunch” spot for the last decades of the 20th century since it opened in 1959. The restaurant’s interiors feature designs by Pritzker Prize-winner Philip Johnson, furniture, tableware and other items by Seagram Building designer Mies Van der Rohe, Hans J. Wegner and others and custom-made Knoll furniture.
Those items will be included in the 500 lots headed for auction on July 26. Dezeen highlights critics’ frustration at what Aaron Betsky, leading US architecture critic and dean of the Frank Lloyd Wright School of Architecture rues as the dispersal of “one of the rarest phenomena in Modernism: a place where the architecture, the furniture, the table settings, the service, the food, and even the clientele was of a piece.”
In a 1932 article in Modern Mechanix magazine, the design of this three-story Long Island “skyscraper house” was touted as the “latest in homes,” with an all-metal frame and glass walls. What the story doesn’t mention is that this little house in the ‘burbs was designed as a case study home by noted architects Albert Frey (who spent his early years in Le Corbusier‘s studio) and A. Lawrence Kocher. Known as the Aluminaire House, this diminutive dwelling is among the earliest examples of European-inspired modern architecture in the eastern U.S.. It was included by Philip Johnson in a MoMA exhibit in 1931 that later became the manifesto for the International Style of architecture–one of only six American buildings in the show to exemplify the style.
With the Coachella music festival in the recent spotlight, visions of Palm Springs-style desert homes have been popping up at every turn, and though this little skyscraper house couldn’t be further away geographically, its co-creator Albert Frey is known for establishing the “desert modernism” style exemplified in those iconic Palm Springs homes. And as with many ideas in the ultra-creative 1930s, the construction of this Modernist gem in 1931 was well ahead of its time.
550 Madison rendering via Dbox
Curbed spotted the freshly launched teaser site for the Chetrit Group’s Sony Tower conversion, now going by the name 550 Madison, which revealed several new details about the project. The most notable is that Robert A.M. Stern will be designing the “opulent” condos, and we assume this includes the $150 million triplex penthouse. Interestingly, Stern was once a student of Philip Johnson, who is responsible for the ground-breaking Sony Building. In all, there will be 113 condo units on floors 21-43, up from the previously reported 96, as well as a 170-key luxury Parisian hotel and high-end ground-floor retail.
Photo via Wikimedia Commons
After 8,000 hours and 1,600 gallons of paint, the New York State Pavilion’s Tent of Tomorrow is camera-ready for its spot on Open House New York Weekend. The Daily News reports that Philip Johnson‘s iconic World’s Fair structure in Flushing Meadows-Corona Park is now sporting a fresh coat of “American Cheese Yellow” paint. The job “included power-washing off decades of rust, applying primer and the historically accurate paint while working on a platform suspended 100 feet in the air,” and it cost $3 million. It’ll certainly be all over Instagram tomorrow and Sunday, but some ambitious architecture lovers have already gotten up close to the landmark.