Photo (cropped) by Alex Proimos via Wikimedia Commons

The Metropolitan Museum of Art has announced two new sculpture commissions to be installed in the museum’s facade niches and the Iris and B. Gerald Cantor Roof Garden later this year. Mexican artist Héctor Zamora will create a site-specific intervention on the roof titled Lattice Detour that’s set to open on April 21. On September 9, American artist Carol Bove will unveil new sculptures in the building’s Fifth Avenue facade niches, becoming only the second artist to activate the building’s exterior in this way. The works are still in progress but Sheena Wagstaff, the Met’s Leonard A. Lauder Chairman of Modern and Contemporary Art, hinted that Zamora’s piece will “invite us to reconsider the panoramic view of the city skyline” and Bove’s installation will feature “colorful stylized abstractions.”

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Photos by Anna-Marie Kellen

Two new paintings by Canadian Cree artist Kent Monkman are now on view in the Metropolitan Museum of Art’s Great Hall. As part of a new series in which the museum invites contemporary artists to make work in response to the Met collection, Monkman reappropriated motifs from Western artists such as Emanuel Leutze and Eugéne Delacroix to tell a different narrative that foregrounds themes of arrival, migration, displacement, and the Indigenous experience.

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When the Metropolitan Museum of Art announced it would start charging non-New Yorkers $25 for admission and waive its pay-what-you-wish policy for the first time since 1970, most people reacted with disapproval. But there was an under-the-radar benefit to this new policy: The Met agreed to share a portion of the new revenue from admission fees with the city, to be used by the Department of Cultural Affairs in support of the CreateNYC plan. A year after the admission fees went into effect, the de Blasio administration has announced that $2.8 million in additional funding will be allocated to over 175 cultural organizations in underserved communities throughout the five boroughs.

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The Met Breuer. Image courtesy of the Metropolitan Museum.

It was announced Friday that the Met Museum would lease the Breuer building to the Frick, the New York Times reports. According to an agreement between the two venerable art institutions, the Metropolitan Museum of Art will likely sign the Met Breuer on Madison Avenue over to the Frick Collection beginning in 2020. Doing so would allow the in-debt Met to free itself of the last three years of an eight-year lease and an $18 million annual expense and enable it to put funds toward improving the modern and contemporary galleries at its Fifth Avenue flagship. Likewise, the Frick would have a suitable temporary home while the Gilded Age mansion that it inhabits is being renovated.

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Photo via The Metropolitan Museum of Art

Following two years of renovations, the Metropolitan Museum of Art reopened its impressive music collection, which includes roughly 5,000 instruments dating from about 300 B.C. to the present, grouping them by period and type, rather than culture by which they were created. The redesign of the exhibit, called The Art of Music, places “Fanfare” as the first gallery. Drawing visitors into the instrument gallery, Fanfare features 74 brass instruments “spanning two millennia and five continents.” It includes sacred conches, animal horns, a vuvuzela and more. And now, for the first time, the instruments can be heard through dynamic kiosks at the museum, or online.

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On Monday night, Rihanna, Madonna and all of the celebrity A-listers posed on the Met Gala’s red carpet to show off their over-the-top interpretations of the Metropolitan Museum’s 2018 Costume Institute exhibit “Heavenly Bodies: Fashion and the Catholic Imagination.” This year’s exhibit focuses on the dialogue between fashion and medieval art, displaying Papal robes and accessories from the Sistine Chapel, many of which have never been seen outside The Vatican. To house it all, the Met tapped architecture firm Diller Scofidio + Renfo (DS+R) to design the show, and ArchDaily has uncovered this gorgeous photo set showing their work.

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At the beginning of the year, the Met announced that it would begin charging non-New Yorkers (i.e. those without a state ID) $25 for admission, waiving its pay-what-you-wish policy that had been in effect since 1970. And as of today, that policy is officially being implemented through signs at all entrances, 14 new kiosks in the Great Hall, roaming museum staff with iPads, and a brochure that explains the new fee system, reports the Times.

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The Times may have recently questioned whether or not the Metropolitan Museum of Art is “a great institution in decline” (referring to its $40 million deficit and decision to put on hold its $600 million expansion), but the paper is much more positive when reporting on the Met’s new Open Access policy. This allows free and unrestricted use of 375,000 high-resolution images of artworks in their collection, ranging from paintings by Van Gogh, El Greco and DeGas to ancient Egyptian relics to classical furniture and clothing.

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