827-831 Broadway

Last November, the owner of newly-landmarked buildings at 827-831 Broadway, noted for their cast-iron architecture and as the home of artist Willem de Kooning, submitted a proposal for a four-story prismatic glass addition and landscaped roof terrace that architects DXA Studio say was influenced by de Kooning's work. After sending the plan back to the drawing board twice, the Landmarks Preservation Commission on Monday finally approved the revised design, which reduces the height of the addition to three stories and places it more setback from the street. LPC recommends that DXA use a darker cladding material over 47 East 12th Street to give it a totally matte finish.
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Back in November, the developer/owner of a pair of newly-landmarked buildings at 827-831 Broadway--noted for their cast-iron architecture and a rich cultural history that includes serving as home to artist Willem de Kooning--submitted a proposal for a four-story prismatic glass addition and landscaped roof terrace that architects DXA Studio say was influenced by de Kooning's work. Yesterday, the Landmarks Preservation Commission received the proposal with mixed reviews, feeling skeptical about whether or not cultural events should influence a building's architecture. After hearing testimony from a slew of local residents and preservationists who feel the glass topper is too large, the LPC decided to take no action on the plan, instead sending the team back to the drawing board to better detail the restoration aspects and reconsider the addition as perhaps shorter and further setback.
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Just a week after the pair of buildings at 827-831 Broadway was landmarked, not only for their cast-iron architecture but for their long cultural history that most notably includes serving as home to world-famous artist Willem de Kooning, the developer/owner has put forth a proposal for a four-story prismatic glass addition and landscaped roof terrace. Though the architects at DXA Studio say the modern topper's reflectivity is representative of two phases of de Kooning's work--his 1960s rural and pastoral landscapes as seen through the reflection of surrounding plantings and his late 1950s urban landscapes through the building reflections--local groups are not so convinced.
All the details ahead