15 Central Park West is frequently in the news—whether it’s because a new celeb has moved in, or that it’s recorded yet another blockbuster sale. But standing far from the limelight is the building’s architect, Robert A.M. Stern, who, like his buildings, opts for the stately, subdued and classic over the winding and twisting standalones of his contemporaries. “We have a lot of silly buildings being built, in my opinion. The buildings should not look like Lady Gaga,” the architect says. In the latest installment of the Louisiana Channel Stern discusses what might be his most famous project, 15 CPW, and why he strives for buildings that complement, not dominate.
We’ve heard about people who move out of the city in search of a more quiet lifestyle, but then can’t think or sleep due to the silence. Well, there’s a new album that might be just what the doctor ordered for these sleep-deprived NYC expats.
Line In-Between is an album recorded entirely from the noises of New York City, highlighting that sounds and music are interconnected. And what makes us love this project even more is that while the urban tunes roll, striking images of the city’s architecture play along.
Few chairs are as recognizable as those designed by Charles and Ray Eames. And though Modernist duo were pioneers in the creation of quality furniture, both easily produced and sold at affordable prices (though you wouldn’t exactly guess that now), did you know that their lounger was their first foray into the high-end furniture market? Officially titled Eames Lounge (670) and Ottoman (671), the chair was originally designed for Herman Miller back in 1956, and when it was released, Charles and Ray were already household names counting nearly 1 million chairs in homes across the country. To that end, when the pair were ready to debut this latest luxury creation, NBC’s Home show invited them to come on and talk about their design.
Anyone who admires the Eames will without question love this video featuring the adorable twosome modestly taking compliments from host Arlene Francis while discussing everything from their plywood chair, to their precedent home in Los Angeles, to their lounger, which in the segment gets a comically dramatic unveiling complete with curtains, lights and music.
You know the drill, wear a wool sweater to work in the summer and layer with a thin t-shirt in the winter. It’s the curse of working in a tall, glassy, climate-controlled building. But a new shading prototype called Sunbreak, created by the architects at NBBJ, acts as a skyscraper skin that adjusts on a window-by-window basis depending on the angle of the sun, conserving energy and allowing workers to control office temperatures. Sounds like just what we’ve been waiting for, huh?