photography

Featured Story

Features, History, More Top Stories, photography, The urban lens

The Urban Lens: A tourist’s take on NYC in 1979

By Dana Schulz, Fri, May 19, 2017

NYC 1979, vintage New York, old NYC photos, NYC 1970s

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, we share a set of vintage photos documenting NYC in 1979. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

In the spring of 1979, a 20-something Australian tourist came to NYC and was immediately struck by its fast pace and no-nonsense attitude (“there seemed to be an unwritten rule not to make eye contact or speak to strangers,” he told Gothamist), as well as how much in disrepair parts of the city were, especially Harlem. He documented his experience through a series of color slides, which were recently rediscovered and present a unique view of how exciting, frightening, and mysterious New York was to an outsider at this time.

See all the historic photos

Featured Story

Features, History, Meatpacking District, More Top Stories, photography, The urban lens

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, the Greenwich Village Society for Historic Preservation shares archival images of the gritty Meatpacking District from the 1980s to early 2000s. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

“Few parts of New York City have transformed as dramatically in the last decade or so as the Meatpacking District. Changes in the area are physical as well as spiritual. What was once a deserted ghost town by day, nightlife, sex club, and prostitution hub by night, and bustling workaday center of the Meatpacking industry from early morning to noon is now a glitzy, glamorized center of shopping, dining, tourism, strolling, and arts consumption,” says Andrew Berman, executive director of the Greenwich Village Society for Historic Preservation. The organization recently released a collection of archival photos of the neighborhood’s post-industrial grit, “before the Whitney, before the High Line, before Apple and Diane von Furstenberg, even before Sex and the City discovered the neighborhood.” Ahead, 6sqft shares these images, from the 1980s to the mid-2000s, which document the major transformation that’s taken place in just the past decade.

See all the photos here

Featured Story

Features, People, photography, The urban lens

James Maher Photography, Luxury for Lease, Zombie City, NYC street photography, texting New Yorkers

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, fine art and portrait photographer James Maher exposes the changing face of NYC post 9/11. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

It all started at the University of Madison in Wisconsin with a surprisingly successful fake ID “business,” which was James Maher’s first introduction to portraiture and Photoshop. After moving back to his hometown of New York post-graduation, Maher studied at the International Center for Photography, assisted commercial photographers, and became a certified tour guide, exploring the architecture and streetscapes of the city. In 2006, he opened his own photography business, combining his varied interests, which also come through in his black-and-white series “Luxury for Lease,” where New Yorkers are captured candidly against the background of New York. In it, Maher exposes how quickly things changed in the years after 9/11; instead of coming for “acceptance and freedom” and “a culture of creativity,” wealthy persons from the suburbs and elsewhere began to move back “with an insatiable appetite.” By snapping photos of distracted New Yorkers, many of whom are zombie-fied staring at their phones, Maher examines the “disconnection, hyper-gentrification, conformity, and consumerism” that’s infiltrated our streets.

See the series here

Featured Story

Features, photography, The urban lens

Peter Massini, Big City Aerials, NYC aerial photography

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, aerial photographer Peter Massini shares a series of warm-weather shots. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

Last summer, multi-disciplinary photographer Peter Massini shared one of his aerial series with 6sqft that captures NYC’s hidden rooftop patios and gardens. In his latest collection, he’s taken a look down at the city’s more publicly accessible green spaces–parks, ballfields, lawns, and more. Though we’ve seen many of these locations, like Central Park and Arthur Ashe Tennis Center, more times than we can count, we’ve never experienced them like this before, from 1,500 feet in the air. By shooting from a helicopter, Peter is able to get a unique perspective on recreation in the city and just how vast some of these locales actually are.

Get a look at this amazing aerial views

Featured Story

Features, photography, The urban lens

Sam Golanski, NYC corner buildings, Narrow and Corner Buildings

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Sam Golanski highlights New York’s unique narrow and corner buildings. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

6sqft recently featured Sam Golanki’s photography series “Park Avenue Doormen,” where he gave the men who safeguard the Upper East Side’s ritzy buildings a chance to step out from behind the velvet ropes and in front of the camera. He’s now taken a similar approach–albeit this time with buildings, not people–in his collection “Narrow and Corner Buildings.” Choosing to forego iconic structures like the Flatiron Building, Sam instead focuses on small structures off the beaten path that may otherwise be overlooked. “I realized the corner is the center of each block, a place for small businesses, barbershops, and coffee shops,” he said, explaining that he didn’t pre-plan the series, but rather was drawn to these unique structures while strolling the city.

Get a look at all the photos

Featured Story

Features, History, photography, The urban lens, Transportation

Sid Kaplan, New York Transit Museum, NYC train history, Deconstruction of the Third Avenue El, elevated trains NYC

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. This week’s installment comes courtesy of a new exhibit at the Transit Museum, “Deconstruction of the Third Avenue El: Photographs by Sid Kaplan.” Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

After the city consolidated its underground subway lines in 1942 (they were previously owned by private companies), fewer New Yorkers were riding the elevated lines. This decreased ridership, along with the fact that the Els ate up valuable street-level real estate and created dangerous dark spaces, led to the city taking down the Second Avenue Elevated line in 1942. In 1955, the Third Avenue Elevated came down as well, catching the eye of a then 17-year-old Sid Kaplan, whose photos of the dismantling are currently on display at the Transit Museum’s Grand Central Gallery Annex. The museum tells us, “From his perch on the roof of an apartment building, or leaning out the window of an office, his images capture a unique perspective of the removal of a hulking steel structure, the hard-working people who dismantled it, and the ever-changing landscape of New York City.”

More on the El history, Sid’s work, and all the amazing photos

Featured Story

Features, photography, sponsored content, The urban lens

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. This week’s installment has been sponsored by 100 Barclay and zooms in on the murals that adorn the ceilings of the landmarked building.

Much attention has been given to the landmarked 100 Barclay as of late thanks to a recent redevelopment of the upper floors into luxury apartments by Magnum Real Estate Group and the CIM Group. The full-block building, which sits on a site at the southern edge of Tribeca and just off the Hudson River waterfront, was originally constructed between 1923 and 1927 as the headquarters of the New York Telephone Company. Then known as the Barclay-Vesey Building (also the New York Telephone Building), the tower was the first Art Deco skyscraper ever constructed, designed by a young Ralph Walker while he was just an associate at McKenzie Voorhees & Gmelin. Walker’s design provided not only a launching pad for his own career—he soon after became a partner in his firm and later went on to become one of the country’s most esteemed architects—but the Barclay-Vesey would provide inspiration for many of New York’s future skyscrapers.

explore the murals here

Featured Story

Features, Greenwich Village, photography, Restaurants, The urban lens

Murray's Cheese NYC, Rob Kaufelt, James and Karla Murray

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, award-winning photographers James and Karla Murray return to give us a behind-the-scenes tour of Murray’s Cheese. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

Murray’s Cheese was founded in 1940 on Cornelia Street. When Rob Kaufelt bought the business in 1991, he grew the store into an internationally known food destination that now includes educational programs, a full-service restaurant, catering, and state-of-the-art cheese aging caves in Long Island City. Personally, our love affair with Murray’s Cheese began in 1994, when we were newlyweds on a budget, often buying cheese from the small Bleecker Street store to eat with some freshly baked bread purchased from the nearby Zito & Sons Bakery. Plus, with Murray’s being our namesake, we felt an immediate connection to the store.

Just last month, the Kroger Company purchased the equity of Murray’s Cheese and its flagship Greenwich Village location to form a merger of the two companies. As this new era approaches, we decided to capture all the cheesy goodness of the store, restaurant, and caves, as well as chat with Rob, cavemaster PJ, and Murray’s Cheese Bar’s general manager Jake Goznikar to learn about Murray’s history, unique contributions to local and world-wide food culture, and future.

Take the grand tour

Featured Story

East Village, Features, photography, The urban lens

The Urban Lens: Inside McSorley’s Old Ale House, NYC’s oldest bar

By James and Karla Murray, Fri, March 10, 2017

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, award-winning photographers James and Karla Murray return for Saint Patrick’s Day with a look inside McSorley’s Old Ale House. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

With Saint Patrick’s Day just around the corner, McSorley’s Old Ale House–located in the East Village on East 7th Street by Cooper Square–is readying to welcome a crowd of beer-loving New Yorkers and out-of-towners alike. What sets this watering hole apart, aside from its limited “dark or light” menu, is that it’s the oldest bar in the city, a distinction proven after extensive research by the bar’s official historian Bill Wander. We recently paid the Irish tavern a visit to capture its historic details such as the original wooden bar and pot-bellied stove; iconic tchotchkes adorning the walls, which run the gamut from shackles worn by a prisoner of war from the Civil War to a horseshoe that legend says came from one of the horses that pulled Abraham Lincoln’s hearse; and the fun-loving crowd that can be seen there on a typical day. We also chatted with Teresa Maher, the very first woman to work behind the bar in 1994.

See all the photos and hear from Teresa

Featured Story

Features, photography, The urban lens

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, photographer and art director Fernando Paz shares his playful series of New Yorkers posing as skateboarders. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

In a city where “fake it ’til you make it” is a mantra shared by many of its inhabitants, Fernando Paz‘s cheeky photography experiment “Skateboarding loves you too” couldn’t have found a better setting. For the series, the die-hard skater approached individuals from all walks of life and asked them to pose with one of his many boards—a strange exercise with the simple goal of placing a familiar but altogether foreign object in the hands of the unassuming. The results, as you will see ahead, are wonderfully humorous, apt, and also bring out what Paz says is the “strong, happy, enthusiastic, hard working, loving, and any positive adjective wanna add” spirit of New Yorkers.

learn more and see the rest of his photos series here

Featured Story

Features, photography, Staten Island, The urban lens

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Will Ellis takes us through the relics and ruins of Staten Island’s Arthur Kill Road. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

Step into the New York section of any bookstore these days and you’ll likely see front and center “Abandoned NYC” by Will Ellis, which puts together three years of his photography and research on 16 of the city’s “most beautiful and mysterious abandoned spaces.” Will’s latest photographic essay is titled “Arthur Kill Road,” an eerily handsome exploration of the “quiet corners” and “remote edges” of Staten Island. He decided to focus on this thoroughfare as it winds through some of the NYC’s most sparsely populated areas, including the defunct waterfront, remnants of historic architecture, and desolate industrial complexes. Here, as Ellis describes it, “the fabric of the city dissolves, and the past is laid bare through the natural process of decay.”

See all the photos this way

Featured Story

Features, People, photography, The urban lens, Upper East Side

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Sam Golanski gives Park Avenue doormen their moment in the spotlight. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

Sam Golanski grew up in a small town in Poland, but has been residing in Manchester, U.K. since 2005. Though he thinks New York is “a tough place to live,” he fell in love with its energy as a child watching films set in Manhattan from the ’60s and ’70s. Now all grown up, he comes to New York frequently to visit friends and work on his urban and social photography projects (“I have to admit I shredded a few pairs of shoes by just walking up and down for days everywhere with my camera bags,” he says). In his series “Park Avenue Doormen,” Sam gives the men who safeguard the Upper East Side’s ritziest buildings an opportunity to step from behind the velvet ropes and in front of the camera.

See all the photos

Featured Story

Features, photography, The urban lens

Village East Cinema, Yiddish Rialto, Louis N. Jaffe Theater

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, award-winning photographers James and Karla Murray return with a look inside the spectacular Village East Cinema. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

Moviegoers at the Village East Cinema may be surprised to learn that they are visiting a recently restored New York City designated landmark. The Village East Cinema has a fascinating history as one of the last surviving “Yiddish Rialto” theaters along Second Avenue in the East Village. Today, the cinema is known for premiering many independent films and an eclectic mix of art and commercial releases. The theater’s most significant visual aspect, however, is its main auditorium’s ornate and colorful ceiling, which is regarded as having one of the most remarkable works of plaster craftsmanship in New York City.

explore the spectacular space here

Featured Story

Brighton Beach, Features, photography, The urban lens

Chaz Langley, Brighton Beach, Russian culture NYC, NYC photography

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Chaz Langley explores the people and establishments that breathe life into Brighton Beach. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

6sqft recently featured Chaz Langley‘s photo series “A Stroll in Chinatown,” where he captured the neighborhood’s unique cultural establishments and the everyday comings and goings of its residents. He’s now taken the same approach with Brighton Beach, Brooklyn’s beach-front community that’s often referred to as “Little Odessa” for its strong Russian community. Langley, a Nashville native who moved to New York almost a decade ago to pursue a career as a singer/songwriter/actor/model, has taken to sharing his location-specific collections on Instagram, integrating his graphic design background in their presentation. From a fruit stand to boardwalk, his Brighton Beach series certainly paints a picture of the neighborhood.

See all the photos here

Featured Story

Features, photography, The urban lens

6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment Brazilian designer Nei Valente presents his series of nighttime newsstand photos. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

By day, Nei Valente is a designer at branding agency Brand Union, but in his free time he photographs street scenes around the city, many of which are taken once the sun has set. In “Newsstands,” he captures the changing face of newsstands around the city, exploring how their evolution relates to our shift from print to digital media. Inspired by Moyra Davey’s newsstand series of 1994, Valente finds it fascinating how newsstands have changed over the last couple of decades.

Read more

SIGN UP FOR OUR NEWSLETTERS

Thank you, your sign-up request was successful!
This email address is already subscribed, thank you!
Please provide a valid email address.
Please complete the CAPTCHA.
Oops. Something went wrong. Please try again later.