The City Council’s Committee on Land Use gave approval to Rockefeller University’s plan to construct two new buildings over the Franklin D. Roosevelt Drive on Manhattan’s east side. In exchange, the school, which controls air rights over the 4-block stretch starting at East 64th, has agreed to invest $8 million to develop and maintain a portion of the East River Esplanade.
If you’ve spent time in the NoHo Historic District and Extension, then you’ve probably notice that there are two highly visible voids in the short stretch between Broadway and the Bowery — a destination that has become one of the city’s most interesting and admired architecture ensembles. The city is about to get a new architectural gateway in this locale, situated at the intersection of Lafayette and Bond Streets. The new gateway will consist of two quite similar, small, new residential buildings designed by different architects on the north side of Bond Street.
Manhattan-based owner/developer Sherwood Equities has sold multiple Hudson Yards parcels to Tishman-Speyer for $200 million, reports Jeffrey Katz, Sherwood president, in a press release today.
The sites are situated at the southeast corner of West 34th Street and Hudson Yards Boulevard, and at West 35th Street and Tenth Avenue, and neighbors another parcel purchased by Tishman-Speyer from the Rosenthal family. The WSJ reports the total deal rings up at $438 million.
The combined parcels will allow Tishman-Speyer to develop a 2.25 million-square-foot, full-square-block office building, which could become the tallest structure in the United States at 1,800-feet tall. The unbuilt tower has already been christened the Hudson Spire.
Famed French architect, and Pritzker Prize winner, Christian de Portzamparc is causing quite a stir. Take a glance at his website and you’ll be met with a rendering of the new Riverside Center that would inspire hope in the most pessimistic NIMBY.
After a disappointing official rendering of the first building cast some serious doubt on the fate of the much-anticipated development, de Portzamparc has unveiled a new vision, and fingers are crossed that it will be realized.
One of the city’s noblest professions is “sidewalk superintendent.” These intrepid pedestrians love to peer through holes in the wall to watch large equipment playing the construction game. The more sophisticated of these curiosity-seekers also look for holes in the city’s facades to glimpse the progress of larger-than-normal, future skyline stars.
You can imagine the astonishment, therefore, when I noticed, a couple of days ago, that 432 Park Avenue had adopted a “patriotic” stance, and that its fenestration grid now is highlighted, from top down, in red, blue and white, the colors of the American flag, and also the French flag — a stark divergence from the pristine, streamlined design set out by the building’s architect, Rafael Vinoly.
Prolific artist, and Banksy-homage payee, Kara Walker will be kicking off her new show at the Domino Sugar refinery on Saturday, May 10th. Walker, who is best known for creating room-size tableaux of black cut-paper silhouettes that explore everything from race, gender, sexuality, and violence, will take over the 90,000-square-foot space for what’s to be her first large-scale public installation.
No specifics or images of the work have been released yet, but her press release notes that the installation at Domino “will explore a radical range of subject matter, including but not limited to the history of sugar and its many implications.” Don’t miss out on your chance to see what is sure to be an arresting installation — and the interior of a historic building that will soon be transformed.
The 777-foot skyscraper, designed by Kohn Pederson Fox and Goldstein Hill & West, will boast 60 stories hosting 81 residential units. Though the easiest way to characterize the new development is crazy tall (it’s set to trump neighboring One Madison by 150 feet) the architectural team gave the structure a bit of flair by way of a massive cantilever, and a very angular, dynamic crown.
[Via New York YIMBY]
Designs for the 67 Franklin Street structure were approved two years ago, accompanied by plenty of accolades from community members and architecture enthusiasts alike. And now that Ban has added ‘2014 Pritzker Prize Laureate‘ to his resume, we expect these beauties to fly off the shelves in the coming months (You have heard of the Pritzker Prize-effect, right?). As it stands, the 2,990-square-foot 3BR/3BA on the second floor has an asking price of $4.975 million, while the 3,809-square-foot 4BR with 1,531-square-foot terrace East penthouse, has been listed for a cool $13 million.
If convention-goers thought the Javits Center was hard to get to, wait until events start taking place at a Greenpoint exhibition complex set to open later this year.
Backed by controversial real estate developer Joshua Guttman, the sprawling Brooklyn Expo Center will be housed in the former Greenpoint Terminal Market (pictured here), which is accessible by only one subway line — the oft-complained about G train.
Construction on the SHoP Architects-designed tower at 111 West 57th Street has finally begun! Yesterday evening, one of 6sqft’s reporters walked past the site and took a quick snap of the newly arrived construction vehicles and equipment.
The Manhattan giant, which will also be the world’s slenderest tower, will rise 1,300-feet high, above a floor plate of around 60-feet wide. The building will host three elevators and each floor will be its own 5,000-square-foot apartment with 15-foot ceilings. And for those worried how wind load will affect the 76-story structure, a huge steel weight will be suspended within the top of the building to keep it from swaying (yikes).