Image by James Corner Field Operations and Diller Scofidio + Renfro, courtesy of the City of New York.
The Spur, the last section of the High Line, extending east along 30th Street and ending above 10th Avenue, is scheduled to open in 2019. Unlike other sections of the park which are more linear and perfect for strolling, this section will feature a large-scale plaza for public programming and art and areas for seating and gathering. Anchoring the new section will be the High Line Plinth. As Designboom reports, the Plinth will be one of the only sites in New York City with the purpose of featuring a rotating series of new contemporary public art commissions.
Renderings of the Plinth, this way
Photo by CityRealty
Back in July 6sqft reported construction progress at the enthusiastically on-again Pier 55 public park project on the Hudson River funded by billionaire businessman Barry Diller. The park broke ground in April, and some snaps courtesy of CityRealty revealed new concrete pylons arranged in various heights that will act as the wave-shaped floating park’s support structure. Now, the New York Times details further and more fascinating progress on the $250 million park and performing arts venue, including the installation of its stylistic anchor in the form of a system of concrete supports called pots, the underpinnings of Diller’s unconventional architectural vision. And CityRealty once again reveals photos of what’s happening in the Hudson just west of the Meatpacking District.
Take a look at what’s rising from the Hudson
In August, four months after topping out, Jeanne Gang’s High Line-adjacent tower at 40 Tenth Avenue had its geometric glass installed. Images released by Studio Gang showed the 10-story office building taking shape and showed off its unique glazing system on the lower levels. Now, Aurora Capital Associates and William Gottlieb Real Estate, the project’s developers, are offering new renderings of the building itself and its future office spaces for a new view of the “solar carve” that the building has been known for (h/t Curbed).
More new angles, this way
, Fri, September 14, 2018
© Brian Rose
6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Brian Rose shares his past and present Meatpacking streetscapes. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].
A native of Virginia’s Colonial Williamsburg, photographer Brian Rose moved to New York City in 1977 and captured some of the most fleeting, bankrupted moments of the Meatpacking District in one January of 1985. In 2013, he returned to the neighborhood – impossibly changed – and once again photographed it. He then presented both sets of photos in his 2014 book “Metamorphosis: Meatpacking District 1985 + 2013.” Read on for an interview with Rose on old-school NYC, 9/11, and the city’s unknowable future.
See the before-and-afters
Photo by Timothy Schenck
Four months after topping out, Jeanne Gang’s tower at 40 Tenth Avenue is getting its geometric glass installed. New images released by Studio Gang show the 10-story commercial building taking shape between the High Line and the Hudson River, as well as its unique glazing system on the lower levels (h/t designboom). Formerly dubbed the Solar Carve Tower because of the way the building is “sculpted by the angles of the sun,” 40 Tenth Avenue features a curtain wall made of diamond-shaped panels facing downward, with four triangular pieces around it.
See its progress
Rendering by ODA Architecture
First renderings of ODA Architecture’s 13-story tower planned for Greenwich Village reveal a Tetris-inspired, boxy design, YIMBY reported on Wednesday. Much like the firm’s other projects, the facade of the building, located at 101 West 14th Street, will look like a series of sculpted, stacked boxes. Developer Gemini Rosemont has filed permits to convert the site which currently holds a former bank into condos with ground floor retail. There will be 45 condos total, with 21 of them duplexes.
See the design
Construction photo via CityRealty; Rendering via Heatherwick Studio
Construction has moved along quite nicely at Pier 55, the on-again, off-again public park project funded by billionaire businessman Barry Diller planned for the Hudson River. While there was not much to show when the park broke ground in April, photos recently taken by CityRealty reveal new concrete pylons arranged in various heights. These will act as the wave-shaped floating park’s support structure.
See the photos
Rendering by Pier55 Inc/Heatherwick Studio
After years of drama, during which the project was declared dead, then given new life, construction on the public park anchored in the Hudson River (also known as Pier 55 and Diller Island), is now moving forward as evidenced by a site photo taken by CityRealty this week showing two walkways leading to the pier from Hudson River Park now in place. As 6sqft reported last October, the Pier 55 project spearheaded by media mogul Barry Diller was rebooted with Diller’s renewed commitment, complete with the backing of his recent legal foes, former ointment-fly Douglas Durst and Governor Andrew Cuomo.
More pictures this way
Renderings © Neoscape for Studio Gang Architects
Since 6sqft reported just over a year ago on the beginnings of the building formerly known as the Solar Carve tower by celebrated architect Jeanne Gang at 40 Tenth Avenue, the new High Line-hugging addition has been quietly rising. Now, the 10-story commercial tower has officially topped out, and we’ve got the construction photos and new renderings to prove it.
Renderings and photos this way
Though the couple sold the Meatpacking pad at 66 Ninth Avenue for $3.8 million in 2015 and acquired a stately Clinton Hill mansion, this corner two-bedroom loft in the Porter House condominium is just as lovely at its new rental price of $13,500 a month, as the Post reports. The then-engaged couple (they’re married now) sold the home in just five months.
Have another look