If you’re a fan of concrete as a rich interior material, this just-listed West Soho will definitely impress. The 4,000-square-foot duplex is decked out with concrete columns, floors, and ceilings. This industrial chic space also offers a flexible floor plan, with a 30-foot-wide and 68-foot-long great room that allows for a number of configurations. Currently, it’s set up as a two-bedroom home with a studio art space and a casual media lounge. The creative, well-designed residence is located within the 18-unit condo at 481 Greenwich Street, and is now asking $5.25 million.
In architect Morris Adjmi’s new book, “A Grid and a Conversation,” he describes his ongoing conversation between context and design. On any project, Adjmi balances three dichotomies: standing out while fitting in, respecting history while not being frozen in time, and creating “ambient” architecture while gaining popularity. 6sqft sat down with Adjmi to find out more about his work philosophy, art exhibits, love of Shaker design, and awesome opening night parties with custom-made drinks.
6sqft’s new series “Where I Work” takes us into the studios, offices, and off-beat workspaces of New Yorkers across the city. In this installment, we’re touring the Industry City space of Evergreene Architectural Arts, one of the nation’s foremost restoration and conservation firms.
On Monday evening, the Historic Districts Council will present their 29th annual Landmarks Lion Award to Jeff Greene of EverGreene Architectural Arts, one of the nation’s foremost experts in specialty contracting for both traditional and new, innovative techniques for restoring and conserving murals, ornamental plaster, and decorative finishes. “Jeff has been pivotal in restoring some of New York City’s most beloved landmarks to their proper glory,” said HDC’s executive director Simeon Bankoff. And indeed, this is true; their commissions include the recent restoration of the New York Public Library’s Rose Reading Room, Brooklyn’s Loew’s Kings Theater, the Eldridge Street Synagogue, and the McKim, Mead and White-designed University Club, where the event will be held, and this only scratches the surface of their hundreds of projects throughout the country.
In anticipation of Jeff’s recognition, 6sqft was given a behind-the-scenes tour of EverGreene’s new office and studios in Industry City, where the firm’s master artisans were hard at work painting murals, casting plaster moldings, and researching the history of several upcoming projects. We also spoke with Jeff himself about what inspired him to get into the field (“I ate the crayons before marking the walls,” he says), how preservation has changed since he started the firm in 1978, and what some of his favorite projects have been.
After completing architecture school at Universita’ di Napoli, Italy, Ada Tolla and Giuseppe Lignano fell in love with New York City, deciding in 1995 to establish an innovative firm in Manhattan called LOT-EK. Early experiments in the art world grew into a substantial architecture practice, but their philosophy has always been the same: Both Ada and Giuseppe are focused on a concept they call “up-cycling,” taking existing objects and elevating them through art, design, and architecture. The firm has done its most innovative work re-using shipping containers and received a wave of attention this year for a Brooklyn residential project that utilized 21 shipping containers in surprising, stunning ways.
The firm has just released its second monograph, LOT-EK: Objects and Operations, a photo-heavy showcase of dozens of projects the firm produced around the world over the past 15 years. “LOT-EK is a design practice that believes in being unoriginal, ugly, and cheap,” the book states. “Also in being revolutionary, gorgeous, and completely luxurious.” With 6sqft, co-founder Giuseppe Lignano talks about the early days of running a firm and waiting tables in 1990s New York, explains the firm’s philosophy behind sustainability and re-use, and discusses the inspiration behind their notable Williamsburg project.
This summer, the 9/11 Tribute Museum opened in a brand-new space at 92 Greenwich Street in the Financial District. The 36,000-square-foot gallery became the second iteration of the museum which originally occupied the former Liberty Deli from 2006 until earlier this year. While many are more likely to be familiar with the 9/11 Memorial Museum just a few blocks up the street, the Tribute Museum differs in that rather than focusing on the implications of the tragedy, documenting the events as they unfolded and examining its lasting impact, it assumes a more inspired take, dedicating its exhibits and installations to the stories of the survivors, first responders, relatives of victims, and others with close connections to the tragedy who found hope in the terror and stepped up to help their fellow New Yorkers.
Ahead, Lee Skolnick, principal of LHSA+DP and lead architect of the 9/11 Tribute Museum, speaks to 6sqft about the design and programming of this important institution, and how he hopes its message will inspire visitors to do good in their communities during these uncertain times.
Background image via Andrew Malone/Flickr
When it comes to the Chelsea Hotel, Ed Hamilton has seen it all. He and his wife moved to the iconic property in 1995, living among artists and musicians in a 220-square-foot, single-room-occupancy unit. The storied, artistic community nurtured inside the hotel came to an end a decade ago when the building sold for the first time and evictions followed. Since then, the property has traded hands a number of times with talks of boutique hotel development, luxury condos, or some combination of the two. Hamilton started tracking the saga at his blog Living With Legends and published a book, “Legends of the Chelsea Hotel,” in 2007.
After the book’s success, Hamilton wrote a short story collection titled “The Chintz Age: Stories of Love and Loss for a new New York.” Each piece offers a different take on New York’s “hyper gentrification,” as he calls it: a mother unable to afford her lofty East Village apartment, giving it up to a daughter she shares a strained relationship with; a book store owner who confronts his failed writing career as a landlord forces him out of now highly valuable commercial space.
Ultimately, many of the stories were inspired by the characters he met inside the Chelsea Hotel. And his tales offer a new perspective on a changing city, one that focuses on “the personal, day-to-day struggles about the people who are trying to hang onto their place in New York.” With 6sqft, he shares what it’s like writing in the under-construction Chelsea Hotel, what the Chintz Age title means, and the unchanged spots of the city he still treasures.
Since its founding in 1990, COOKFOX Architects has become one of the most recognized names in New York City real estate. In the firm’s early days, founding partner Rick Cook found a niche in historically-sensitive building design, looking for opportunities to “[fill] in the missing voids of the streetscape,” as he put it. After teaming up with Bob Fox in 2003, the pair worked to establish COOKFOX as an expert in both contextual and sustainable development. They designed the first LEED Platinum skyscraper in New York City with the Durst family, the Bank of America Tower, then took on a number of projects with the goal of designing healthier workplaces. The firm also got attention for its work in landmarks districts, winning AIA-New York State awards for its mixed-use development at 401 West 14th Street (better known as the Apple store) and its revamp of the the Stephen Sondheim Theatre. (The firm also made it the first LEED-certified theater in the city.)
“Where did lesbian, gay, bisexual, and transgender (LGBT) history happen in New York City? In what buildings did influential LGBT activists and artists live and work, and on what streets did groups demonstrate for their equal rights?” These are the questions that the NYC LGBT Historic Sites Project is answering through a first-of-its-kind initiative to document historic and cultural sites associated with the LGBT community in the five boroughs. Through a map-based online archive, based on 25 years of research of advocacy, the group hopes to make “invisible history visible” by exploring sites related to everything from theater and art to social activism and health.
To mark Pride Month, 6sqft recently talked with the Historic Sites Project’s directors–architectural historian and preservation professor at Columbia Andrew S. Dolkart; historic preservation consultant Ken Lustbader; and former senior historian at the NYC Landmarks Preservation Commission Jay Shockley–along with their project manager, preservationist Amanda Davis, about the roots of the initiative, LGBT history in NYC, and the future of gay advocacy.
Since Thomas Kosbau began working for a New York consultancy firm running its sustainable development group, in 2008, much has changed in the city’s attitude toward green design. Kosbau has gone from “selling” the idea of LEED certification to building developers, to designing some of the most innovative sustainable projects in New York to meet demand. He founded his firm, ORE Design, in 2010. Soon after, he picked up two big commissions that went on to embody the firm’s priority toward projects that marry great design alongside sustainability. At one commission, the Dekalb Market, ORE transformed 86 salvaged shipping containers into an incubator farm, community kitchen, event space, community garden, 14 restaurants and 82 retail spaces. At another, Riverpark Farm, he worked with Riverpark restaurant owners Tom Colicchio, Sisha Ortuzar and Jeffrey Zurofsky to build a temporary farm at a stalled development site to provide their kitchen with fresh produce.
From there, ORE has tackled everything from the outdoor dining area at the popular Brooklyn restaurant Pok Pok to the combination of two Madison Avenue studios. Last November, ORE launched designs for miniature indoor growhouses at the Brooklyn headquarters of Square Roots, an urban farming accelerator.
134 years ago, the opening of the Brooklyn Bridge transformed the Brooklyn waterfront, not to mention the entire borough, by providing direct access into Kings County from Lower Manhattan. The opening only boosted Brooklyn’s burgeoning waterfront, which became a bustling shipping hub for the New York Dock Company by the early 1900s. Business boomed for several decades until changes in the industry pushed the shipping industry from Brooklyn to New Jersey. And after the late 1950s, when many of the warehouses were demolished to make way for construction of the Brooklyn-Queens Expressway, the waterfront fell into severe decline.
New Yorkers today are living through a new kind of Brooklyn waterfront boom, heralded by the Brooklyn Bridge Park. Ideas to transform the abandoned, run-down waterfront into a park seemed like a pipe dream when the idea was floated in the 1980s, but years of dedication by the local community and politicians turned the vision into reality. Today, the park is considered one of the best in the city.