Marcelo and Sara at the unveiling of HeartBeat, image via Times Square NYC Flickr
Marcelo Ertorteguy and Sara Valente want you to do more than just admire their architectural designs from afar–they want you to hear them. The Venezuelan-born designers are the brains behind the creative firm Stereotank, where they create public art installations that fuse the disciplines of architecture, music, environmental sciences and much more. From Taku-Tanku, a traveling, floating house made out of water tanks, to HeartBeat, an urban drum installation currently on view in Times Square, all of Stereotank’s innovative work takes a fresh and playful approach to socially conscious designs that engage their audiences. We recently chatted with Marcelo and Sara about how they developed their unique design philosophy and what their creations mean to them and New Yorkers.
Read the interview here
Last week, MoMA PS1 announced the winning design for this year’s Young Architects Program (YAP), which will be featured this summer in the Long Island City museum’s outdoor courtyard. The top spot went to Andrés Jaque of the Office for Political Innovation for COSMO, a moveable environmental artifact made out of customized irrigation components. And while this interactive water purification sculpture is highly deserving, the runners-up shouldn’t be ignored.
Among the short list of finalists was Phenomena by Benjamin Dillenburger and Michael Hansmeyer of Studio Benjamin Dillenburger, which “addressed the idea of phenomenology in design, creating an experiential space that stimulates all the senses and hosts multiple programs.” It combines a performance space, a highly articulated projection screen, and an ornate fountain, challenging how people experience live events by making the viewer part of the production.
Condé Nast’s move into One World Trade Center means more than just the offices of Vogue settling in downtown, but also some other 3,000-odd editors, writers and advertising folks that make up the publishing giant’s empire. Amongst these magazines is, of course, The New Yorker. In this week’s installment of the magazine’s “Cartoon Lounge,” cartoon editor and cartoonist Bob Mankoff takes a moment to commemorate the magazine’s move into the supertall icon by musing over the skyscrapers that have appeared in The New Yorker since the city’s 1920s building boom. From his office on the 38th floor of One World Trade, watch as he shares his favorite cartoons and his own experience of seeing the New York City skyline as a kid in Queens. This video is sure to make you smile!
Watch the video here
You’ve probably seen the murals of Cuban-American artist José Parlá in the lobbies of One World Trade Center and the Barclays Center. With such high-profile clients, it’s no wonder he worked with starchitecture firm Snøhetta, who completed the 9/11 Memorial Museum Pavilion, to create his personal artist’s studio.
Collaborating together, Parlá and Snøhetta transformed a Gowanus warehouse into a double-height workspace that retains industrial characteristics of the building like beamed ceilings, exposed piping and electrical fixtures, and concrete floors. To tailor the studio to their client’s needs, the firm re-opened old skylights to let natural light in to the middle of the work space, and they painted all the walls neutral grey tones so Parlá’s bright paintings really stand out.
More on the project
MoMA PS1 has just announced the winning design for this year’s Young Architects Program (YAP), which will be featured this summer in the Long Island City museum’s outdoor courtyard, setting the stage for the Warm Up summer music series. The top spot goes to Andrés Jaque of the Office for Political Innovation for COSMO: Give me a pipe and I will move/celebrate the Earth, a moveable environmental artifact made out of customized irrigation components that will make visible and enjoyable the typically hidden urbanism of pipes.
According to MoMA PS1, COSMO “is engineered to filter and purify 3,000 gallons of water, eliminating suspended particles and nitrates, balancing the PH, and increasing the level of dissolved oxygen. It takes four days for the 3,000 gallons of water to become purified, then the cycle continues with the same body of water, becoming more purified with every cycle.”
More on the winning design
We get frustrated every time we try to use Saran Wrap on the leftover half of a lemon, so we can’t imagine shrink-wrapping the entire ground floor of a building. But that’s exactly what design firm SO-IL did at the Storefront for Art and Architecture.
The installation is part of Storefront’s latest exhibit BLUEPRINT, which showcases 50 blueprints from various disciplines dating from 1961 to 2013. The show was also curated by SO-IL. By wrapping the exterior of the space, the gallery is “totally open, yet perpetually closed and fixed… wrapped in time and in space.”
More on the exhibit and installation
While the rest of us were bundled up indoors last night in anticipation of Snor’easter Juno, Brooklyn photographer Jaka Vinsek set out on a journey to capture New York’s streets covered in snow. “I started at 10pm and got home at 7am,” he says. “I walked on foot around nine miles.”
With transit shuttered at 7pm Monday, and a city-wide ban on vehicles (except emergency) beginning at 11pm, what Vinsek captures on camera is a desolate but eerily beautiful city. His photos feature unlikely scenes, including a completely empty Grand Central, as well as some wonderful moments of lone souls roaming amidst the city’s dedicated workers pounding the pavement. Vinsek’s photos show another, more peaceful side to our city that we often forget exists.
See more of the photos here
Who knew that the graveyard for decommissioned NYC subway cars was at the bottom of the ocean? If this is news to you, then you don’t want to miss this photo series by Stephen Mallon, who documented the train cars being dumped into the Atlantic from Delaware to South Carolina over three years. But before you call 311 about this seeming act of pollution, let us tell you that it’s actually an environmental effort to create artificial reef habitats for fostering sea life along the eastern seabed, which was started over ten years ago.
More photos and info right this way
Mother and daughter in Flatbush
An online gallery from the New York Public Library provides a stunning glimpse into domestic life in Brooklyn in the 1970s, courtesy of photographer Dinanda Nooney, who traveled through the borough from January 1978 to April 1979, capturing locals in their homes and asking them to then suggest other subjects. The black-and-white photos range from everyday scenes of Brooklynites to the residence of a local celebrity biker to the childhood home of Jean-Michel Basquiat.
Take a look at Dinanda Nooney’s photos here
5Pointz before being demolished via Garrett Ziegler/Flickr
Back in November we first got wind of G&M Realty’s plan to trademark the 5Pointz name and use it for their new residential towers at the site; now artists connected to the Long Island City graffiti mecca are fighting back. Father-son developers Jerry and David Wolkoff had their trademark application denied twice, most recently on January 6th, for being too similar to a California real estate company. Before their third go, artist Jonathan Cohen (aka MeresOne), who ran 5Pointz for ten years, has started an online campaign advocating to protect the storied name. So far the petition has 2,050 signatures, with a goal of 3,000.
More details on the 5Pointz feud