, Mon, September 23, 2019
Photo by Zachary Tyler Newton for LMCC
A permanent arts center opened on Governors Island last week, becoming the 172-acre site’s first year-round tenant dedicated to arts and culture. The Lower Manhattan Cultural Council (LMCC) has transformed a 19th-century warehouse into a 40,000-square-foot space for arts and educational programming. LMCC partnered with the Trust for Governors Island on the $12 million renovation, with designs from PEI Cobb Freed & Partners and Adamson Associates Architects. Historic details of the building were retained while enabling space for galleries, studios, rehearsal space, and an indoor cafe.
See the space
, Tue, September 17, 2019
Rendering of “Women’s Rights Pioneer Monument” (courtesy of Monumental Women).
Last year’s unveiling of designs for the first statue in Central Park’s 165-year history that depicts real historic women–a sculpture of Elizabeth Cady Stanton and Susan B. Anthony, set to be dedicated in August of 2020 to mark the 100th anniversary of nationwide women’s suffrage–was met with the criticism that it didn’t adequately represent the many African-American women who aided in the cause. As 6sqft previously reported, a redesigned statue honoring women’s rights advocates will now include Susan B. Anthony, Elizabeth Cady Stanton, and escaped slave and abolitionist Sojourner Truth, who aided in the fight for women’s rights. The updated design has been revealed. But, as AM New York reports, The city’s Public Design Commission has said the statue still falls short, and has postponed the vote to confirm the new design–possibly jeopardizing an August 26, 2020 unveiling.
Critics weigh in
, Mon, September 16, 2019
Dustin Pittman. Stroke of Midnight at Studio, 1978–79. Photograph, 15x 20 in. (38.1 x 50.8 cm). Courtesy of the artist. © Dustin Pittman
An exhibition opening at the Brooklyn Museum next year will explore for the first time the enduring impact of Studio 54. Opening in March, Studio 54: Night Magic examines the influence that the disco-era nightclub continues to have on design, cinema, and fashion today. Iconic photography and roughly 650 objects, including drawings, paintings, music, and decor, will be on display.
Get the details
, Mon, September 16, 2019
Image courtesy of Harold Navarro via Flickr
When autumn rolls into New York City, the fall arts season heats up with museum exhibits, gallery openings, art fairs and more to keep us culturally fulfilled through shorter days and colder nights. Below are our top picks and suggestions for the season’s art whirl, from an all new MoMA to open studios in Bushwick.
Inspirational art, this way
Photo © James and Karla Murray
A free photography exhibition highlighting mom-and-pop shops of New York City opens in the East Village next week. Photographers and award-winning authors James and Karla Murray hosted two workshops earlier this year on using photography and oral history to “raise public awareness, build community, and encourage advocacy.” The free exhibition, “Capturing the Faces & Voices of Mom-And-Pop Storefronts,” shows off the photos and interviews from the workshop’s participants, as well as large-scale photos of now-shuttered East Village shops, taken by James and Karla.
photos © 6sqft
It’s been nearly two years since artists Gillie and Marc first revealed their “Statues for Equality” project. Noting that less than three percent of all NYC statues are of women, the husband-and-wife public art specialists created a series of 10 bronze sculptures of inspirational women who were voted on by the public–Oprah Winfrey, P!nk, Nicole Kidman, Jane Goodall, Cate Blanchett, Tererai Trent, Janet Mock, Tracy Dyson, Cheryl Strayed, and Gabby Douglas. Monday, on Women’s Equality Day, the statues were unveiled in front of RXR’s Realty’s 1285 Avenue of the Americas (h/t Untapped Cities).
Check out all the statues
Many artists have been inspired by the scenes of life in New York City, particularly Lower Manhattan. But perhaps no artist captures the feeling of New York during the hot, heavy days of August like the painter John Sloan. Sloan was one of the leading figures of the “Ashcan School” of artists of the early 20th century, a loosely-defined movement which took its name from a derisive reference to the supposed lowbrow quality and themes of their work, and the smudgy, impressionistic brushstrokes they utilized. His workaday subjects and hazy images of city life capture the heaviness of the air of New York during its dog days. Here’s a look at some of those paintings of life in our city 100 years ago.
See NYC through the eyes of Sloan
John Giorno’s “Now at the Dawn of My Life”; all images courtesy of Apple and New Museum
Ready to experience a new dimension of Central Park? Apple has partnered with the New Museum to launch free, guided walks of the Park highlighting a series of site-specific, augmented reality artworks. Artists Nick Cave, Nathalie Djurberg, Hans Berg, Cao Fei, John Giorno, Carsten Höller and Pipilotti Rist—most of whom are working in AR for the first time—were tapped to transform the park into a virtual, interactive gallery of sorts, as part of the experiential project called Apple [AR]T Walk, which kicks off from the Apple Store on Fifth Avenue.
The original design. Photo by Tia Richards for 6sqft
Last year’s unveiling of designs for the first statue in Central Park’s 165-year history that depicts real historic women–a sculpture of Elizabeth Cady Stanton and Susan B. Anthony–was met with mixed reviews: Why didn’t the statue, set to be dedicated in August of 2020, marking the 100th anniversary of nationwide women’s suffrage, include any of the many African-American women who aided in the cause? Today it was announced that a redesigned statue honoring pioneering women’s rights advocates will include Susan B. Anthony, Elizabeth Cady Stanton, and Sojourner Truth, an escaped slave and abolitionist who joined the fight for women’s rights.
Find out more
Image via Flickr
It’s been 33 years since Keith Haring painted his “Crack is Wack” mural on a handball court near the Harlem River Drive in East Harlem, and now the iconic work is getting a much-needed restoration, as amNY reported. Inspired by his studio assistant Benny—who was struggling with addiction but later recovered—Haring painted the 16-foot by 26-foot mural on June 27, 1986, at the height of the crack cocaine epidemic and intended the piece to function as a warning to young users. Celebrated as one of Haring’s most important works, the mural has been shielded by protective coverings in recent years during reconstruction work on the Harlem River Drive.