Zaha Hadid Architects has released a new video in which the firm’s late principal, internationally celebrated starchitect Zaha Hadid, discusses the ideas that influenced the iconic, innovative and controversial design of her first residential project in New York City, the High Line adjacent 520 West 28th Street, developed by Related Cos. The 11-story residence was voted 6sqft’s 2016 Building of the Year and is currently nearing completion.
After the architects at Studio Gang tweaked their proposal for the American Museum of Natural History expansion to preserve more public parkland out front, the Landmarks Preservation Commission unanimously approved the plans in October. And now that things are moving ahead, and the price has jumped from $325 to $340 million, the institution shared new details about how the 235,000-square-foot Richard Gilder Center for Science, Education and Innovation will operate. The update comes with a fresh set of interior renderings, which include views of the Butterfly Vivarium, Insectarium, and other educational spaces.
The top-floor units at Robert A.M. Stern’s 930-foot 30 Park Place have a way of making headlines. The 82nd floor penthouse, for instance, boasts the highest private outdoor space in the city, and the building’s own developer, Larry Silverstein, recently snatched up the massive 80th floor spread for $34 million. But below these units are two duplex penthouses that span the 78th and 79th floors, notable for their double-height loggias that, as Curbed notes, have become a fixture in classic Stern buildings like 15 Central Park West and 520 Park Avenue. Curbed also got their hands on new photos of penthouse 78B, on the market for $29.5 million, which not only showcase the incredible views from the terrace, but new looks at the interiors.
When completed, Related Companies‘ and Oxford Properties Group’s 50 Hudson Yards will be the city’s most expensive office building, coming in at $3.94 billion. To make starchitect Norman Foster‘s pricey vision a reality, the developers had filed an application with the New York City Industrial Development Agency to take advantage of financial incentives that were enacted in 2006 to encourage development in Hudson Yards. And according to a new report in Crain’s, the agency has approved $195 million in such tax breaks, which include making fixed payments towards the 985-foot tower’s development costs instead of paying property taxes that vary from year to year, as well as receiving a discount on the mortgage recording taxes.
The former American Bible Society building (L); SOM’s new design for 1865 Broadway (R)
In the fall of 2015, the American Bible Society moved from their long-time home at Broadway and 61st Street to Philadelphia. Their Columbus Circle/Lincoln Center headquarters was built in 1965 by architects Roy O. Allen Jr. and Donald C. Smith of Skidmore, Owings & Merrill, who created a 12-story Brutalist structure that was the first in the city constructed with load-bearing, pre-cast concrete exterior walls. But with the institution’s recent departure came the sale of the building at 1865 Broadway for $300 million to AvalonBay Communities. The developer returned to the original architectural firm to create a new condo-rental tower at the site, and CityRealty has now uncovered SOM‘s first official rendering of what will replace their former work, which, interestingly enough, harkens back to the Brutalist aesthetic.
It’s been less than a month since it was revealed that starchitect Norman Foster would be designing the Related Companies‘ and Oxford Properties Group’s 50 Hudson Yards commercial tower, but the developers have already pegged the cost of the project at $3.94 billion, which will make it the city’s most expensive office building, reports The Real Deal. The 985-foot tower, where BlackRock has already signed a 20-year lease for 15 floors, will surpass One Vanderbilt‘s projected $3.14 billion price tag and Bjarke Ingels’ planned $3 billion+ High Line tower known as The Spiral, as well as One World Trade Center‘s current record of $3.8 billion.
Construction at Rafael Viñoly’s slender skyscraper 125 Greenwich Street has reached street level, but as CityRealty uncovered, the tower that was slated to be taller than 1,000 feet over the summer (and previously 1,400 feet), is back down to 898 feet. Though this now makes it shorter than Fumihiko Maki’s 977-foot 4 World Trade Center one block north, fresh renderings show that the 88-story condo will still offer sweeping views of the city and harbor, which are shown for the first time from interior shots.
If your idea of a perfect stocking stuffer is a classic Serge Mouille three-armed ceiling light, the auction of items from the private collection of architect Lee Mindel, which begins today, is just what your gift list ordered. “Light & Aerie: The Collection of Lee F. Mindel, FAIA” includes dozens of rare modernist pieces from the architect’s personal collection. Mindel is moving from his Chelsea loft in a former hat factory to a new aerie in Tribeca’s rare and collectible Herzog & de Meuron-designed “Jenga tower” at 56 Leonard Street; Mindel’s loft is available, too, if you’ve got a really big stocking to fill. Auction house Phillips is handling the sale, which includes stunning pieces ranging from art to furniture, lighting and decorative items by the likes of Jean Prouvé, Antoni Gaudí, Georges Braque, Hans J. Wegner, Ettore Sottsass, Jr. and many, many more.
It’s been 14 months since developer Related Companies bought the site of a former McDonald’s at 34th Street and 10th Avenue, the final parcel needed to complete Hudson Yards. Initial reports said the site of 50 Hudson Yards would hold a 62-story, 1,000+ foot commercial tower, but Related and Oxford Properties Group have now revealed that the structure will rise 58 stories and 985 feet and be designed by starchitect Norman Foster. As first reported by Curbed, the news comes on the heels of BlackRock’s decision to sign a 20-year lease for 15 floors, or 850,000 square feet, in the building, leaving their long-time Park Avenue home in a show of confidence in the mega-complex.
In October 6sqft reported that work on Thor Equities‘ 7.7-acre waterfront office and retail complex, architect Norman Foster‘s first Brooklyn commission, had begun. A recent meeting between the developers’ representatives and community members to discuss plans for the 818,000-square-foot two-building project on the former site of Red Hook’s Revere Sugar Refinery–known as Red Hoek Point–revealed concerns that the Red Hook community is being excluded from development plans.
Richard Meier’s 685 First Avenue–the starchitect’s largest and tallest building in the city to date–has begun its above-ground ascent, reports CityRealty. The 42-story, 460-foot-tall slab tower is located along the East River at 40th Street, just south of the United Nations, and has gained attention for its dark glass facade, a noticeable shift from Meier’s signature beige aesthetic. Its 408 rentals and 148 condominiums are expected to be completed by early 2019, and now that construction is “craned and above street level,” the project is well on its way.
The team behind the American Copper Buildings–JDS Development Group and SHoP Architects–teased a few interior renderings of the rental back in August, but now the project’s full site is live and there’s a slew of images of the SHoP-designed model apartments, as well as never-before-seen renderings of SCAPE Landscape Architecture’s courtyard plaza. Along with these new views comes news from Curbed that though listings for the 600 market-rate units aren’t available yet, (160 others became available through an affordable housing lottery) rents will start at $2,800/month for studios, $4,100/month for one-bedrooms, and $6,800/month for two-bedrooms.
Frank Gehry’s IAC Building was completed in 2006 for Barry Diller’s media company InterActiveCorp. It was Gehry’s first project in NYC, boasting his signature curving facade and ushering in a wave of starchitect-designed projects along Eleventh Avenue in Chelsea. It also gained notability for its full-height, double-glazed window panes that fade from clear to white, giving the 10-story structure the look of an iceberg. But it’s this feature that’s now resulted in a lawsuit, according to the Post, who reports that “the window sealant has become a dripping, opaque blob.”
Architecture, condos, Landscape Architecture, Major Developments, New Developments, Rentals, Starchitecture, Upper West Side
Towers L to R: Rafael Viñoly, Richard Meier, Kohn Pedersen Fox
Forty-two years after Donald Trump first proposed a mixed-use development on the Upper West Side waterfront, one of the final pieces of the puzzle is coming together. Curbed got their hands on sparkling new renderings of what’s now being called Waterline Square, a trio of residential towers on the five-acre site between West 59th and 61st Streets that’s part of Riverside Center. In addition to views of the glassy structures, which will offer a combination of condos and rentals, and a Mathews Nielsen-designed park, what makes the reveal so exciting is the roster of starchitects behind the towers–Richard Meier and Partners, Rafael Viñoly Architects, and Kohn Pedersen Fox Associates.
Outspoken starchitect Frank Gehry is taking the whole “I’m moving if Trump wins” thing quite literally. The Canadian-born, LA-based architect told French paper La Croix just before the election that President Francois Hollande assured him he could go into exile in France if Trump became president. But as ArtNet points out, a possible relocation may have more to do with a personal beef than political leanings. In 2010, Gehry’s 8 Spruce Street surpassed Trump World Tower as the city’s tallest residential building, and we know how feisty the Donald gets when it comes to size…
For architectural photographers, Bjarke Ingels‘ self-described “courtscraper” Via 57 West is a dream. From its sharp angles and unique tetrahedron design to its winding courtyards and geometric interiors, the 32-story rental offers plenty of artistic shots. A couple months ago, just as the Midtown West project wrapped up construction, Iwan Baan released a set of images that showed new vantages of the central outdoor space and views of how the building fits in with the skyline. Now, ArchDaily shares a collection of photos from Danica O. Kus, these providing never-before-seen looks at Via’s interior spaces–including the lobby, pool, and balconies–as well views of the the building’s public art piece and highly artistic shots of its facade.
The largest and tallest building in NYC from Pritzker Prize-winning architect Richard Meier is rising at 685 First Avenue, just south of the United Nations at 39th Street and First Avenue along the East River. Though developer Sheldon Solow bought the 30,000-square-foot site as part of his Turtle Bay South master plan 16 years ago, construction only kicked off in March. A couple months later, renderings were revealed of the 42-story slab tower’s dark glass facade–a departure from Meier’s typical beige designs and his first ever black building–and now the Times has shared the first interior renderings, along with new details about the residential breakdown (there will be 408 rentals and 148 condominiums) architectural specifics, and amenities.
When 6sqft first got a look at Bjarke Ingels’ curved East Harlem rental, it sported a red corten steel facade reminiscent of the surrounding brick buildings, but a new set of renderings shows a blackened stainless steel exterior that the Danish starchitect told Curbed is “inspired by an elephant’s skin” and will capture and reflect sunlight. Now dubbed Gotham East 126th Residential, the 11-story structure from Blumenfeld Development Group broke ground yesterday, beginning its journey to offer 233 studio, one- and two-bedroom apartments, 46 of which will be affordable.
It’s been almost a year and a half since the Frick Collection scrapped plans for a controversial expansion from Davis Brody Bond that would have gotten rid of the property’s gated garden to make way for a six-story addition. The Times reports today, though, that the Board is moving ahead with a new version of the renovation, selecting starchitect Annabelle Selldorf from a pool of 20 firms who submitted proposals. She’s already worked on museum renovations at the Neue Galerie and the Clark Art Institute in Massachusetts, and according to Frick director Ian Wardropper, “She’s somebody who has a clear vision of respect for historical buildings but at the same time has a clean, elegant, modernist aesthetic that is very much about welcoming visitors today.”
News at starchitect Jean Nouvel‘s condominium MoMA Tower (officially called 53W53) has been relatively quiet since units hit the market just over a year ago. But CityRealty brings us an update from the Billionaires’ Row construction site, where the 1,050-foot-tall, tapered tower is currently getting the first of its intricate, diagrid skin, which the architect once said will resemble blood running the veins with its nighttime lighting.