Sales launched this week for 130 William, starchitect David Adjaye’s first skyscraper in New York City. Available residences at the Financial District tower include studio, one-, two-, three- and four-bedroom condos, as well as and loggia/penthouse units. The apartments just listed range in price from $780,990 to just over $6.96 million. According to Lightstone, there’s been enormous interest in the building: over 30 contracts have been signed in under 30 days, over a year before 130 William is set to open in 2020.
Image via BIG
Mayor Bill de Blasio announced on Tuesday that construction has officially begun on the new police station coming to the 40th Precinct in the South Bronx. The Bjarke Ingels-designed station house, located in Melrose at East 149th Street and St. Anne’s Avenue, will boast the first community event space ever to be at an NYPD facility.
When Ingels was selected as the architect in 2013 (the project’s second firm chosen after the first contract expired), the estimated cost was $57.7 million with a 2020 deadline. After the construction period was extended from two to three years, the cost of the total project jumped to $68 million and the station will now open in the spring of 2021. “This new precinct will strengthen the bond between community and police, which will ultimately help make the South Bronx and our City safer,” de Blasio said in a press release.
Less than two weeks after HFZ Capital revealed the marble-clad interior renderings for Bjarke Ingels’ High Line-facing XI condo/hotel project at 76 Eleventh Avenue, they’ve now launched the official website. First spotted by Curbed, the site gives us our first view of the amenities such as the huge, glass-enclosed pool, as well as an up-close look at the “Bridge Lounge,” the swanky amenity space located within the development’s skybridge. The double-height podium bridge, which connects the asymmetrical, twisting towers, will have a retractable movie screen, private wine tasting room, bar, and library.
Renderings by Binyan
With construction officially underway at 130 William Street and sales launching for the 244 condos later this month, Sir David Adjaye hosted an event last night to reveal the interiors of his 800-foot Financial District tower. And they’re just as chic as expected, with finishes made from materials sourced from all over the world and hardware designed by the starchitect himself. Adjaye Associates collaborated with Hill West Architects on the project.
“In defining the design for 130 William, I not only sought to celebrate New York City’s heritage of masonry architecture, referencing the historical architecture once pervasive upon one of the city’s earliest streets,” Adjaye said. “However, and more importantly, 130 William has been crafted to focus on the new possibilities of urban, vertical living.”
Back in April 6sqft reported on the progress of British-Ghanian architect David Adjaye’s first NYC skyscraper at 130 William street, with the nearly-800-foot tower at street level and rising. Adjaye, who has achieved international renown for projects like the Smithsonian’s National Museum of African American History and Culture in Washington, has been knighted by Queen Elizabeth II and named one of TIME’s 2017 most influential people, was inspired by the historic masonry architecture of the Financial District for the new building’s anything-but-ordinary design. And we’re now seeing more of that design: The New York Times reveals information on what the pricing for the building’s 800 units is likely to be once sales launch, along with some new renderings of its unique architecture and interiors.
Historically, Auto Row, the stretch of eleventh in the 50s, has been somewhat a no-man’s land to most, save for those rare New Yorkers who own a car. But with Hudson Yards pushing development westward, it’s now coming out of the shadows. One of these projects is Rafael Viñoly Architects‘ addition to 787 Eleventh Avenue, an Art Deco industrial building that was originally home to the Packard Motor Company when it opened in 1927 to the designs of Albert Kahn. Viñoly’s $100 million commission is adding two stories off office space to the top of the eight-story building, converting the other floors to commercial space, and retaining the current auto dealerships on the lower five levels. It’s been more than two years since the first renderings were revealed, and now the firm has released an additional batch that show aerial views of the addition, more office views, and a closer look at the 12,000-square-foot roof deck.
Image via Swarovski
Swarovski has tapped architect Daniel Libeskind to redesign a new star to top the Rockefeller Center Christmas Tree, the first time it will be replaced in 14 years. Libeskind, who is best known for designing the master site plan for the rebuilding of the World Trade Center site, called the star “a symbol that represents our greatest ambitions for hope, unity and peace.” According to Architectural Digest, Libeskind’s geometric, angular designs made him an easy choice as the new topper’s designer.
Bjarke Ingels is everywhere. Literally. Three weeks ago, we wrote about his new design for 2 Penn Plaza. Two weeks ago, we wrote about his amazing XI sales gallery experience with the stage designer Es Devlin. Last week, it was his new role as Chief Architect at WeWork. And now, BIG has just announced Bjarke built an off-the-grid triangular tiny house in the Catskills with designer and interior architect Soren Rose. (Does this rockstarchitect ever sleep?) Bjarke Ingels Group shared with 6sqft this exclusive set of photos of the mini modern abode, which blends the A-frame architecture of the upstate area with a Nordic aesthetic.
WeWork, the $20 billion provider of co-working and temporary office spaces, just announced that rockstarchitect Bjarke Ingels will be their Chief Architect, a role in which he’ll advise the company on all their projects, as well as offer his insights and ideas. With Bjarke at the helm, WeWork hopes to impact buildings, neighborhoods, and even broader, the cities in which they’re located by working with city planners and politicians to change the future for the better. In a press release written by CEO and co-founder Adam Neumann, WeWork boasts Bjarke’s creativity and practicality: “Bjarke caught my attention because he’s changing the way we think about architecture. His designs inspire as much as they surprise.”
Es Devlin with Egg; photo by Nikolas Koenig
In a remarkable collaboration, Danish architect Bjarke Ingels and artist Es Devlin unveiled on Tuesday a series of multi-sensory installations in response to The Eleventh, a pair of twisting towers rising on a full-block along the High Line. The three immersive encounters are featured at the XI Gallery, a 12,000-square-foot space in the Meatpacking District. Through the lens of Devlin, known for her work with Beyoncé, Adele and Kanye West, the Eleventh, or XI, is seen on a projection-mapped sculpture, a 360-degree film strip and a rotating pair of sculptures. The gallery is the artist’s first site-specific art installation in New York. Ziel Feldman, the chair of HFZ Capital, the group developing the project, called the Eleventh a defining moment and “a signature development for Manhattan and a triumph of design, living, culture, and wellness.”