The fabled Condé Nast cafeteria–starchitect Frank Gehry’s first ever project in New York–is getting a revamp and will reopen to new tenants in the Four Times Square office tower. The Post reports that the titanium-wrapped, fourth-floor venue is going to be integrated into a $35 million, tenants-only space in the 1.2-million-square-foot tower. The building’s owner, the Durst Organization, says that while the space will have more seats, Gehry’s signature elements have been preserved, like the curved-glass “curtains,” undulating titanium walls, and banquette seating nooks. 6sqft received a first look at
The building in 1905, via MCNY
This morning, the Landmarks Preservation Commission (LPC) designated the former IRT Powerhouse (now the Con Ed Powerhouse) at 12th Avenue and 59th Street an official New York City landmark. The Beaux-Arts style building, designed in 1904 by McKim, Mead & White, is considered a remarkable example of the style applied to a utilitarian building. It was bestowed with such grandeur to convince the public to embrace the subway, a newly-created transportation option at the time. The monumental building not only powered the city’s the first subway line but upon completion 111 years ago it was the largest powerhouse in the world.
Yesterday morning construction topped off at the Statue of Liberty Museum, a brand new $70 million building on Liberty Island designed by FXFOWLE and ESI Design. Project designs were released last fall; soon after the project was approved. Construction has been moving along steadily ever since, and today marked a milestone before the 2019 opening. Diane von Furstenberg, who is still working to raise money for the museum, and Stephen Briganti, president of the Statue of Liberty-Ellis Island Foundation, signed their names on the beam symbolically hoisted to the top of the structure. Once it opens, the 26,000-square-foot space will hold an immersive theater and gallery that showcases the Statue of Liberty’s original torch, framing stunning views of New York’s most iconic monument.
Koppert Cress, a farm in the Netherlands that uses low-energy magenta LED lamps in its greenhouses. Photo credit: Pieternel van Velden, courtesy of Guggenheim Museum.
World renowned Dutch architect Rem Koolhaas, known for being both innovative and committed to urban living, has turned his eye toward a new frontier–literally. The focus of the peripatetic starchitect’s upcoming 2019 exhibition, titled “Countryside: Future of the World,” to be installed in the spiral rotunda at the Guggenheim Museum, will be the world’s rural landscapes and how they have been altered by technology, migration and climate change. According to the New York Times, Koolhaas asks us to consider the countryside–that is, “anything but the city,” for reasons of architecture, culture–and politics, in light of events like Brexit and President Trump’s election.
The highly anticipated three-story sky bridge that links the two American Copper Buildings officially opened on Wednesday, making it the first of its kind in New York City in more than 80 years. In a collaboration between SHoP Architects and JDS Development Group, the pair of copper-clad luxury rental buildings at 626 First Avenue, known for their slanted silhouettes, began leasing earlier this year. And now, the buildings’ swath of amenities have been unveiled, including the 100-foot-long sky bridge that is suspended 300 feet in the air and boasts a 75-foot indoor lap pool, hot tub and a bar and lounge for residents.
Domino Sugar Refinery rendering via Practice of Architectural Urbanism
The New York City Landmarks Preservation Commission approved on Tuesday a project to redesign the iconic 19th century Domino Sugar Factory building in Williamsburg into a modern office space. While the proposal from Vishaan Chakrabarti’s Practice for Architecture and Urbanism (PAU) was first rejected by the commission in October, during the hearing Tuesday, LPC said the revised design “sets the landmark free.” Overall, the commissioners were enthusiastic about the retention of part of the original building, giving credit to PAU’s “novel and creative approach.”
This morning the Landmarks Preservation Commission voted to calendar the postmodern skyscraper at 550 Madison Avenue, designed by Philip Johnson and completed in 1984. The world’s first skyscraper built in a postmodern style was originally known as the AT&T Building, as the tower served as the company headquarters. Sony moved in in the 1990s, giving it the nickname of the Sony Tower.
Last year, the building sold to the Olayan Group and Chelsfield for a whopping $1.4 billion. Their resulting renovation plan, led by Snøhetta, has elicited protest from preservationists who do not want to see changes to the building’s impressive arched entryway. Now that the tower’s calendared, the developers’ $300 million renovation will eventually come up for a landmarks vote by the LPC.
Rendering of 50 West 66th Street courtesy of Binyan Studios/ Snøhetta
Of-the-moment firm Snøhetta has revealed their design for a 775-foot condominium tower at 50 West 66th Street, set to be the tallest on the Upper West Side (h/t Wallpaper) The Extell-developed building will feature 127 units and a series of “sculptural excavations” that the architects say are “evocative of the chiseled stone of Manhattan’s geologic legacy.” On the lower levels, the tower will be clad in textured limestone with bronze window frames; its narrower upper portion will have a glassy facade and chamfered corners that create a series of open-air loggias.
In the summer of 2011, Hurricane Irene landed in New York City and on Long Island, heavily damaging the area, the storm’s heavy rainfall and strong winds knocking down trees and causing major power outages. Turning destruction into art, Narofsky Architecture designed a house on an Irene-destroyed site using the wood from fallen trees (h/t dezeen). Based in Nassau County, the home features black locust, a rot-resistant wood, for its exterior paneling and shower benches and darkened pin oak for floors throughout the home. Even some of the home’s furniture was made from fallen trees, including its bookcases, mantels, dining table, and cabinetry.
Drawing of the original Penn Station, re-created. Credit: Jeff Stikeman for Rebuild Penn Station
In August 6sqft reported that major work was underway in the $1.6 billion transformation of Penn Station’s James A. Farley Building into a state-of-the-art, 225,000-square-foot “world-class 21st century transportation hub” called Moynihan Train Hall. That hasn’t stopped the flow of suggestions for how to best make use of New Yorkers’ un-favorite transport hub, which have included Practice for Architecture and Urbanism founder Vishaan Chakrabarti’s proposal to repurpose, then move the old building to create a neighborhood gathering spot and a plan by Columbia University’s DeathLab to turn the the station into a landscaped cemetery. Among those voices-with-a-vision is Rebuild Penn Station, a group of architects and preservationists whose intent is to recreate the original McKim, Mead and White-designed Penn Station, and a new ad campaign aims to get commuters on board (h/t Curbed).